Search results
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Seeing the Sights in Paris
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A party of young women show a group of smartly dressed British, Australian, American and New Zealand soldiers the sights of Paris. Insignia on the women’s clothing suggests they are from the Red Cross. In this excerpt, the group walk along a concourse toward the Eiffel Tower. A pan around the party of sightseers shows a smiling, cheerful group. Later on, the group is in front of the Hôtel de Ville, before all climbing into a truck.
When the Armistice was signed in November 1918, there were 56,000 New Zealanders overseas or at sea. Demobilisation was a carefully planned manoeuvre with most troops and nurses returning home during 1919 – though the last New Zealanders did not return home until 1921. Troops were anxious to leave and so, to counter rising tension as soldiers waited to hear when they could go home, activities such as the Inter-Allied Games and sightseeing parties were designed to keep the men occupied.
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Military Olympics
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This film shows the opening march-past of athletes in the Inter-Allied Games held on the outskirts of Paris from 22 June to 6 July 1919. Watch for the cameramen on the left of the frame.
Competitive events were put on in 22 sports, with 1,500 men from 19 countries competing. Look out for the New Zealanders with their distinctive silver fern – and team coach Sergeant EJ Benjamin carries the New Zealand flag.
With a team of 300 competitors, the United States dominated and placed first in 19 of the 22 events. The French, Australians and Canadians all entered sizeable teams. New Zealand contributed five athletes in track and field and an eight, four and single sculler in the rowing. One athlete represented for Guatemala.
New Zealand did well, coming third in the overall rankings in the track and field (United States 92 points, France 12 points, New Zealand 6 points, Australia 5 points). The New Zealand rowing team also did exceptionally well with Darcy Hadfield winning the international single sculls and the fours and eights both gaining third place.
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The Treaty of Versailles
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The Paris Peace Conference, also known as the Versailles Peace Conference, saw representatives of the victorious Allied powers meeting to set peace terms for the defeated Central powers after the end of the First World War.
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The Ruins of Cambrai
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French Prime Minister Georges Clemenceau and Field Marshal Douglas Haig of the British Army inspect the ruins of the French city of Cambrai in this clip from the Australasian Gazette newsreel.
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Clemenceau’s dark days
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Georges Clemenceau, Prime Minister of France, inspecting French troops during the ‘dark days’ of war in 1918, the year before the assassination attempt. It’s interesting to see among the troops, soldiers from France’s colonies in Africa.
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An ANZAC visit to Versailles
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Produced in 1918 – 1919 the film The Land We Live In was a two-hour long extravaganza. Sadly only 21 minutes of the original film survive. Aimed at an education market, the film focused on the main centres and principal towns in Aoteroa New Zealand, promoting scenic views and industry in each province.
Curiously, sandwiched between images of scenic wonder and industry is this sequence showing New Zealand soldiers sightseeing at the Palace of Versailles, near Paris, in 1919, during the negotiations for the Treaty of Versailles.
The images were most likely taken by New Zealander Charlie Barton. At that time Barton was New Zealand’s only native-born official war cameraman – unfortunately this is one of the few of his films that survive.
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All Hostilities Will Cease
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Shortly after 8 am on 11 November 1918, army telegraphist George Thomas was one of the first New Zealanders to learn that after four long years, the war was at an end.
An Armistice with Germany had been signed at 5.20 am that morning. Thomas took down the telegraph message, sent in Morse code, at his New Zealand Division signal station in northern France. He wrote it out in pencil, and when he was interviewed for radio some 50 years later in the 1960s, proudly showed the interviewer the original pencil and message form, which he had kept.
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The Aussie and the Mademoiselle from Armentières
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Pat Hanna's 1930 recording of the iconic World War One song Mademoiselle from Armentières continued the tradition of adapting the words of this famous song to reflect the different experiences of soldiers during the war. Hanna himself served with the Otago Regiment from New Zealand.
Recorded in Australia on the Vocalion label, this version (with lyrics by Hanna), tells the story of an Australian “Digger” who falls for the French mademoiselle, only to leave her heartbroken when he is killed at Bullecourt (1917) in Northern France. It was a popular number performed as part of Hanna’s “Diggers” vaudeville concert party which toured Australia and New Zealand for many years after the war.
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The Kiwis’ Last Action – Liberating Le Quesnoy
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On 4 November 1918 the New Zealand Rifle Brigade was camped outside the walled medieval French town of Le Quesnoy, which was occupied by the Germans and had been for several years. The town had a moat and very high walls which were hundreds of years old. New Zealand artillery couldn’t be used to bomb the Germans into submission, because about 5,000 French civilians were still living in the occupied town.
The Germans refused to surrender and a party from the 4th Battalion was detailed to try and work out how to scale the 13-metre-high inner brick wall.
Intelligence Officer, Second Lieutenant Leslie Averill – a medical student from Christchurch – used a long, fairly rickety ladder and led a small party of men up the wall. He courageously chased off two German guards with his revolver, which allowed more New Zealanders to then follow him and take the town – without a single civilian casualty.
In 1958, Leslie Averill recorded a talk for radio, describing how he got into the town. (Notice that in this excerpt, in a classic piece of Kiwi understatement, he manages to completely avoid saying that he was the first man up the wall.)
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Just enough speechifying
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In 1912, Sir Thomas Mackenzie, former Prime Minister, was appointed as the New Zealand High Commissioner to London; a post he held until 1920. Mackenzie was particularly concerned about the treatment of New Zealand soldiers and made several visits to see the troops during the war.
In this clip, Mackenzie, with his back to the camera, talks to New Zealanders outside the 2nd New Zealand Field Ambulance station.
During his visit, Mackenzie also joined the 2nd Otago church parade, inspected the New Zealand Engineers and made an address to the 3rd Otago Battalion. At the end of Mackenzie’s visit Major General Sir Andrew Russell noted in his diary: "The whole visit has been successful, fine weather – just enough speechifying but not too much”.
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Images of war
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A sergeant from the 1st Battalion, New Zealand Rifle Brigade fires rifle grenades from a trench. The work is repetitious and dangerous, as rifle grenades were temperamental – sometimes landing in the trench or exploding in the barrel.
The destructive power of heavy artillery fire is seen in a pan across the pulverised remains of a village – the scene is one of complete desolation. The pan ends on a trench scene, sandbags are piled high and soldiers with their gas mask satchels on their chest descend into a dugout.
A line of soldiers stumbles through a large shell hole, knee-deep in water – it is some 20 meters in diameter and 4 to 5 metres deep. The soldiers are conscious of the camera, however the conditions are not staged – they are typical of those endured by the New Zealand Division in the low-lying trenches of Northern France during the winters of 1916 and 1917. It was not uncommon for men to spend up to eight days at a stretch in these tough conditions.
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Back to Blighty
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An ambulance arrives at a New Zealand General Hospital and medical orderlies unload wounded soldiers. Around them are wounded men in various states of recovery – note the number of walking sticks and amputees. All of the patients are dressed in “hospital blues” – a uniform worn by all hospital soldiers in the United Kingdom. Under the Defence of the Realm Act it was forbidden for Public Houses to sell liquor to a soldier in hospital blues.
Can you help us identify the hospital? We know it is a New Zealand General Hospital, so it is either Brockenhurst or Walton-on-Thames. Please contact us if can you help us.
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Journeys on a jigger
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Stretcher bearers evacuate a wounded soldier from the front line on a stretcher case on a ‘jigger’. The stretcher case is wheeled into the courtyard of the ADS (Advanced Dressing Station). Medicals admit the soldier and his condition is assessed and wounds dressed. More serious cases would have been evacuated by motor ambulance to the Main Dressing Station, in this case the No.3 Field Ambulance at Pont D’Achelles. Just as the ambulance drives off an orderly runs out and throws a soldier’s pack on board.
Filmed in June 1917, in Northern France when the New Zealand Division was on the front line forward of Ploegsteert Wood. It was a period of heavy activity – the buildings were under constant shellfire and were heavily sandbagged.
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Entertaining the troops, “The Kiwis” concert party
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The campaigns of the Western Front saw men serving in frontline combat positions in the trenches usually for a few days to a week at a time. In between, units were rotated back to ‘reserve’ positions several kilometres away from the Front, where boredom was yet another enemy to contend with.
In an attempt to keep the troops entertained, concert parties were formed by the men, with names such as “The Pierrots”, “The Tuis” and “The Kiwis.”
Bill McKeon, who served in the Wellington Infantry and had been in a concert party himself, had fond memories of “The Kiwis” and the high-quality shows they put on at Nieppe, near Armentieres in 1917, which he recalled in a radio interview with Neville Webber.
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New Zealand Nurses at Amiens
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Ida Willis’ service as a nurse during WWI saw her involved in virtually all the theatres of war in which New Zealand forces served. In these excerpts from two radio interviews recorded in the 1960s, she recalls the long hours involved in treating wounded men in northern France, especially when a battle was underway.
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Flying the “Fighting Experimental Machine”
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Royal Flying Corps Flight Commander Reg Kingsford of Nelson, New Zealand describes the third aircraft he learnt to fly during World War I, as the “Fighting Experimental machine.” Officially, it was the Royal Air Factory F.E.2b, the Farman Experimental 2 biplane (two-seater), in which he took a fellow Kiwi for a joyride.
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Māori and Pākehā on the Western Front
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George Puhi Nicholas served in World War I with the Māori Pioneer Battalion in northern France and Bob Robertson, a Pākehā, with the 6th Hauraki Regiment. In a joint radio interview recorded in 1985 they compare notes on their memories of the trenches, the bad food, the lice and the mates they lost.
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The nimble “Scout Experimental”
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Legendary New Zealand fighter pilot Keith “Grid” Caldwell, engaged in more fights, for his time in the air, than any other pilot in WW I. He also commanded one of the most successful fighter units, No 74 ‘Tiger’ Squadron. In this interview excerpt he describes the capabilities of the British fighter biplane, the “Scout Experimental” or formally, Royal Aircraft Factory S.E. 5.
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Going ‘over the top’ at Messines by John A. Lee
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On 7th June 1917, New Zealand Labour politician and author John A. Lee was a 25 year old, serving with the 9th (Hawke's Bay) Company of the 1st Battalion, Wellington Infantry Regiment on the Western Front.
Some 50 years after the war, in 1968 he made this recording, still vividly recalling the experience of ‘going over the top’ behind the thundering Allied artillery barrage, which he calls “the greatest curtain of Hell in all history.”
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Take Me Back to Dear Old Blighty
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This song, in which a series of soldiers yearn to return to ‘Blighty’, or Britain, was hugely popular in 1917.
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I’m Going Back Again to Yarrawonga
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"I’ll linger longer in Yarrawonga"
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France’s South Pacific Soldiers in Sydney
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The First World War was truly a global war. What brought this home to Australians was seeing troops from other countries, including France’s Pacific colonies, passing through their country on their way to the Front.
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The Patriot Spirit
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Troops from France’s Pacific colonies, on their way to the war in Europe, allowed Australians to display their loyalty and patriotism.
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Anzac football in London
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During their war service, Australian troops organised Australian Rules football matches across Europe. The highest profile matches were played in the United Kingdom but one-off matches were also played in other countries, including Belgium and France in 1919.
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Royal Decorations
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A young Prince of Wales decorates Australian soldiers in France.
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France on the Firing Line
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France on the Firing Line was one of two propaganda films made by New York producer and theatre manager Lee Kugel and released through his company Kulee Features. The other – the now-lost Germany on the Firing Line – took the pro-Central Powers position, but reportedly contained similar footage of troops on the front line and copious dramatic explosions. When the films were released in 1916, the isolationist United States still hadn’t decided on which side they were going to enter the war – and as a clever producer, Kugel played to both sides. Though both played in the US, not surprisingly there is no evidence that Germany on the Firing Line was released in New Zealand.
Though not completely lost, only 8 of the original 85 minutes remain. The print held at Nga Taonga Sound & Vision – the only footage known to survive anywhere in the world – unfortunately suffers from nitrate decomposition. This irreversible chemical reaction causes the film stock to becomes brittle, crumbly and sticky, and the image to dissolve into an indistinct whirl. Luckily we have secondary resources such as this poster to provide additional information on the film.
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Steeds and shellfire on the Western Front
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The horses that were sent to the Western Front during the First World War faced many of the same difficulties as the soldiers that they served. Horses were used to transport officers, heavy artillery and other equipment to the front lines. The artillery conveyed by these horses was an essential element of the military strategies that developed on the battlefront. The Battle of the Somme in 1916 in particular saw the first widespread use of the ‘creeping barrage’, a strategy designed to provide cover for an advancing line of infantry.
Leonard Leary was a law student in Wellington who first served in Samoa after joining up in 1914 and then joined the British Royal Artillery and fought at the Battle of the Somme. In this 'Spectrum' radio documentary from 1982 he recalls both the trials of controlling horses amid the confusion of a battlefield and the use of the creeping barrage at the Somme.
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A dead teenager and life on the Somme
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Like many young men, New Zealander Jim Warner lied about his age to enlist in World War I and found himself going into action on the Somme with the Auckland Infantry at the age of 18.
In this excerpt from a lengthy interview he recorded with Radio New Zealand reporter Andrew McRae in 1982, he recalls the conditions, the death of his 16-year-old friend and the shattered landscape of northern France which had been shelled heavily by the time the New Zealanders arrived in September 1916.
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First day on the Somme for Kiwis and tanks
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On the 15th of September 1916, the New Zealand Division saw their first major action on the Western Front. In the Battle of Flers-Courcelette, they joined British forces as part of the continued effort to attack German-held territory around the river Somme in northern France.
A new element was also introduced on September 15 with the arrival of tanks in battle for the first time. British military leaders hoped that these new armoured machines, initially known as land-ships, would be able to straddle enemy trenches, break through barbed wire entanglements and end the stalemate of trench warfare.
But Lindsay Inglis, a New Zealand officer involved in action that day, recalls the tanks he saw were less-than-impressive.
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Early newsreels: A 1915 Pathé Animated Gazette
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People went to cinemas during the war to be entertained, but moving-pictures also played an important role in providing cinema-goers with news and information from abroad. Early newsreels, or topical films, were an important part of the typical cinema programme of the time.
This film is an example of a full-length Pathé Animated Gazette newsreel that was shown during the war. It demonstrates the contents of these types of films and how they mixed serious topics with more light-hearted footage: scenes of the Algerian Native Cavalry in Flanders, a brief glimpse of King George V and Queen Mary making their way through packed London Streets to a service at St Paul’s Cathedral, the opening of a New Zealand military hospital, and Zouaves (Algerian French Infantry).
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The Empire’s Troops
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Nearly three million troops from the colonies of the British Empire served during the First World War. This film made by Pathé Freres, released in 1917 but filmed over the period 1915 to 1917, shows how broadly based the Allied forces were. We see Canadians at Salisbury Plains, Indians at Marseilles, and Australians and New Zealanders in Egypt.
Usually films of soldiers during the war are formal affairs. While the film starts off this way, with the usual scenes of training, marching and inspections, it also shows troops of all the different nationalities in a more informal mood, playing up to the camera-- including performing a Highland jig! It also shows a rare glimpse of ANZAC forces at camp relaxing in Egypt, with the spectacular backdrop of the Pyramids behind them.
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The campaign that failed
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Conscription was introduced by law in New Zealand. However, Australians were able to vote on introducing conscription in a referendum in October 1916. This film was made as part of the “Vote Yes’ campaign. It shows PM William Hughes presenting the pro-conscription case, followed by messages to vote 'Yes' from well known figures such as the martyred Nurse Cavell, King George V and France’s General Joffre. Despite these efforts, however, the campaign for conscription was narrowly defeated.
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Within Our Gates
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After the outbreak of war there was a growing public opinion that all Germans in Australia were a threat to security and should be interned. In this cartoon, this attitude appears as a fear that employees of German origin are protected in government jobs.
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Direct to Aussie
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This footage shows Australian troops boarding a train in France after the battle of the Somme and some of the worst fighting of World War One. One carriage has ‘Direct to Aussie’ on the side, suggesting the troops are returning home – or perhaps just wishing they were!
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Flags for Victory
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Belgian Flag Days, along with French Flag Days, Violet Day and Wattle Day, occurred across Australia during World War One. They were organised to raise funds, engage communities and encourage new recruits, as well as to honour and pay respect to the wounded, the fallen and their families. This film shows a Belgian Flag Day held at the former mining town of Burra, South Australia, on 10 May 1915.
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Australian soldiers in France
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Prime minister William (Billy) Hughes, Sir General Rawlinson and Major General Monash visited AIF soldiers in bombed out Péronne, Somme, France, July 1918. For almost the whole of the war, the town of Péronne was occupied by German troops; it was liberated by Australian troops on 2 September 1918.
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He waiata mā te hoia kāinga ngākau koingō
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I Runga o ngā Puke (From the Top of the Hills) is a waiata Māori written by Paraire Tomoana. He composed it at the request of a cousin, Ngahiwi Petiha, who wrote to Paraire while recuperating from a gunshot wound in an English hospital.
Paraire’s son, Taanga Tomoana, explains the story behind the lyrics and sings the waiata himself, in this radio interview in 1970.
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In the Bull Ring at Sling Camp
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Sling Camp on the Salisbury Plains of England was home to four or five thousand New Zealand soldiers at any one time, from 1916 until after the end of the war. It was staffed by New Zealand officers, with the exception of physical instructors whose job it was to get the ‘colonials’ into fighting shape. These men were veteran sergeant-majors of the regular British Army and their territory was the training ground known as ‘The Bull Ring.’ In a 1964 radio interview, Jack Archibald of Nelson recalled the grim conditions he faced there in the harsh winter of 1917.
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Singing about Niuean soldiers who volunteered
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The song ‘Lologo tau kautau Niue ne oatu he Felakutau Fakamua he Lalolagi’ was sung by the men from the Pacific island of Niue who volunteered to join New Zealand’s Māori Contingent in 1916. They served in France alongside Maori troops in the newly formed Pioneer Battalion, and suffered greatly from conditions colder than they had ever imagined.
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The declaration of war
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Ena Ryan was born in the upper-middle class Wellington suburb of Kelburn in 1908. In this interview she recalls going with her mother to hear the declaration of war being read outside Parliament buildings on 5 August 1914 – and the ensuing patriotic fervour which swept the country.
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‘It's a Long Way to Tipperary’
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In this animated film, a British soldier dodges bullets and explosions. He grits his teeth as he thinks, ‘It’s a Long Way to Tipperary’. If you want to sing along, as cinema audiences did when it was presented, the lyrics are right there on the screen.
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Diggers in the tunnels of Quinn’s Post
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The underground war at Gallipoli was fought from May 1915 right up until the evacuation in December that year. Because the two opposing sides were often only a few yards apart, parties of engineers from Australia and New Zealand could dig through the soil to lay explosives underneath enemy trenches. At the same time, Turkish tunnellers were doing exactly the same thing, sometimes with only a few metres of earth between them.
The men who organised the tunnelling were engineers (sometimes also called sappers). They were responsible for all the infrastructure needed to wage a war: from tunnels and trenches to buildings, roads and jetties. In this excerpt from a 1959 radio documentary, Captain Ernest Harston, who was adjutant of the Wellington Infantry Regiment, and Jim Meek, a corporal with the New Zealand Engineers at Quinn’s Post, recall the tunnels, the former miners who worked in them, and the many tasks the engineers had to carry out.
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The walking wounded return home
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New Zealand soldiers board a ship. It may be a hospital ship returning them to New Zealand, as some of the men are visibly wounded, using crutches and walking sticks. A civilian woman can be seen in the opening frames, indicating that this scene may have been shot in England.
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Māori and Pacific Islanders march to war
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On Saturday 5 February 1916, the 3rd Māori Contingent of Reinforcements and others made their way from Parliament along Lambton Quay to their departure point at Wellington’s waterfront. Members of the Māori Contingent are easily identified by their uniform of pith helmet, shorts, putties (a long strip of cloth around the lower leg) and lack of ammunition pouches, which distinguished them from the ‘lemon squeezer’ hat and full uniform of the other troops. The idea of engaging in a battle in foreign lands so far from home must have raised excitement as well as doubt as the Māori Contingent headed for the challenge and conflict of World War One.
Troops from several South Pacific countries formed part of the 3rd Maori Contingent. Among them was Sergeant-Major Uea of Lalofetau, Niue. He had helped to encourage support for the war effort and was the oldest of the Niuean volunteers who sailed that day.
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“Every one of those lads was lying dead”
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Dunedin-born Charles Duke was working in Australia as a journalist when World War I broke out. He signed up with the Australian Imperial Force, sailing with the 4th Battalion. By early August 1915 he had twice been wounded and evacuated from Gallipoli. Yet he returned to his unit and found himself caught up in the bloody offensive which came to be known the Battle of Lone Pine.
Duke wrote a detailed account of his war, and in this 1969 radio programme he gives a vivid description of hand-to-hand fighting in the trenches at Lone Pine.
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War Fever
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At the outbreak of the war, a commonly expressed concern was the need to enlist quickly in case the fighting ended before New Zealand forces could take part in what was widely imagined to be a great adventure. On August 8 1914, just four days after war was declared, the Evening Post newspaper reported that nearly 600 men in Wellington City had already volunteered for war service. George Davies was a schoolboy growing up in the working class Wellington suburb of Newtown. He recalls the enthusiasm to enlist among the men he knew.
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No bayonet needed / E hara te pēneti i mau
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Captain Pirimi Tahiwi of Te Hokowhitu a Tū, the Māori Battalion, describes how he and Captain Roger Dansey led a charge on Sari Bair, Gallipoli in 1915. Te Rauparaha’s famous war cry “Ka Mate, Ka Mate” rang out as they cleared the Turkish trenches. Tahiwi says there was no need to use the bayonet as the Turkish troops fled for their lives.He was wounded in the neck and evacuated to England to convalesce. After an outstanding military career he attended the 50th anniversary of the Gallipoli landings as the sole surviving officer to serve in Te Hokowhitu a Tū, the Māori Pioneer Battalion. Tahiwi laid a mere pounamu, a symbol of both peace and war, on the memorial at Chunuk Bair.
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Good to Go / E pai ana, Ka haere
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The Second Māori Contingent is shown parading at Narrow Neck Training Camp in Auckland before leaving for the front on the SS Waitemata on 19 September 1915. According to the waiata “Te Ope Tuatahi”, composed by Apirana Ngata, the recruits of the Second Contingent were drawn mainly from the East Coast tribes of Ngāti Mahaki, Ngāti Hauiti and descendants of Porourangi. Among them was Second Lieutenant Hēnare Mōkena Kōhere of Ngāti Porou. Kōhere died of wounds on 16 September 1916 following the Battle of the Somme. He is mentioned in the sixth verse of “Te Ope Tuatahi” with the phrase: I haere ai Hēnare, I patu ki te pakanga, Ki Para-nihi ra ia. ("Farewell, O Hēnare,Me tō wiwi, and your 'clump of rushes' who fell while fighting in France". The ‘clump of rushes’ is thought to refer to the men under Kohere’s command who died alongside him.)
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The rush to enlist
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Leonard Leary was a law student at Victoria College (now Victoria University) when war was declared in August 1914. Fiercely patriotic, he was among the men who rushed to sign up to fight at the earliest opportunity. In this extract from a 1982 radio documentary, Leary recalls the heady days when war broke out. He headed down to the Wellington wharves with a group of fellow pro-Empire students to express his support for the war effort, and to enlist in the NZEF.
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"War is lunacy": The burial armistice
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On 24 May 1915, both sides on Gallipoli agreed to a temporary armistice (ceasefire) to bury the dead, who were literally piling up between the trenches. This event was perhaps not as friendly as the famous Christmas Truce of 1914 in France, but nevertheless the men were thankful for a chance to bury the decomposing bodies. Here, three New Zealand veterans of Gallipoli, Walter Cobb, Mr Fraser and Mr Davidson, recall their experience of the armistice. Their accounts differ in their reporting of fraternisation (making friends) with the enemy Turks. This may be due to their different ranks (Cobb was a sergeant) or to the attitudes of their commanders.
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The Daisy Patch
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Joseph Gasparich was a gumdigger and school teacher before he joined the Auckland Infantry Battalion. In May 1915 he was serving with the combined Australian and New Zealand forces at Anzac Cove in Gallipoli. General Sir Ian Hamilton decided to try and break through to the south of the Gallipoli peninsula, and New Zealand and Australian infantrymen were sent to Cape Helles by ferry. On 8 May the New Zealanders launched a series of attacks across an open field of poppies and daisies. In 1968 Joe Gasparich recorded his memories of the unsuccessful attacks in the Daisy Patch. “It was absolute murder – or suicide, whichever way you like to look at it.”
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Seasick men and horses
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Twenty-three-year-old Auckland telegraphist (signaller) Cyril Bassett sailed for the war in October 1914 with the Main Body of the New Zealand Expeditionary Force. Cyril was on board the battleship Waimana, with the rank of orderly corporal. In this 1976 interview, he recalls that during the long sea voyage. his job was to clean up after seasick men and horses. However, in August 1915 Bassett won the Victoria Cross, the highest award for bravery in the Allied forces, for maintaining communication lines under fire during the Battle of Chunuk Bair.
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The First Anzac at Gallipoli
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Britain’s Royal Navy was in charge of landing the first Australians and New Zealanders at Gallipoli on April 25 1915. From their troop transport ships, the men were loaded into smaller boats which were towed as close to the beach as possible. The steam-powered ‘picket’ boats which towed them were commanded by teenage Navy midshipmen like 15-year-old Eric Bush, who was responsible for getting about 200 Anzacs ashore. Among the first Australians to land was Private James Bostock, who recalls how he jumped overboard and waded onto the beach at what would soon be known as Anzac Cove. Both men were recorded in 1955 for a BBC radio documentary marking the 40th anniversary of the landings.
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Teenage soldiers and a boat full of blood
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Seventeen-year-old Daniel Patrick (Pat) Lloyd of Christchurch was among the New Zealanders who landed at Gallipoli on April 25 1915. He witnessed the carnage when the boatloads of men came under heavy machine-gun fire as they came ashore. Pat survived and went on to serve in France where he won a Distinguished Conduct Medal for ‘gallantry in the field’. Fifty years later he took part in an anniversary ‘pilgrimage’ by New Zealand veterans, who returned to Gallipoli to retrace their footsteps and visit graves and memorials to fallen comrades.
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Treating Gallipoli’s wounded – Dr Agnes Bennett
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The Australian-born and New Zealand-based doctor Agnes Bennett refused to let routine sexism keep her out of the war. She offered her services to the New Zealand Army as soon as war broke out but was turned down because she was a woman. Undeterred, she paid her own passage to Europe, intending to join the French Red Cross. In May 1915 she was sailing through the Red Sea when word reached the ship of the casualties arriving in Egypt from the Gallipoli campaign. She disembarked at the next opportunity and began working in the over-stretched military hospitals of Cairo, with the status and pay of an army captain. Dr Bennett recalls her wartime experiences in this recording, made in 1959.
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Swimming with Birdie at Gallipoli
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As the weather warmed up on Gallipoli during the summer of 1915, new problems plagued the Australian and New Zealand forces. The increased heat worsened the men’s thirsts and a huge number of flies swarmed over the battlefield, due to the many unburied corpses and shallowly-dug latrines, or field toilets. A refreshing swim in the Mediterranean was the only relief, as New Zealander Bertie Cooksley recalls.
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'When the war is over, mother dear'
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Though your heart is aching, mother dear
For your soldier boy never fear
I’ll come back some day, and kiss your tears away
When the war is over, mother dearIn this somewhat maudlin song, written and recorded in England in 1915, a soldier laments being far away from home and from his mother, and promises to return to her.
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A troopship departs for Albany, 1914
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When Australia entered the First World War in support of Britain, ships were urgently needed to transport troops to the distant battlefields. The hastily refitted ships also had to carry the troops’ horses and military stores, plus wool, metals, meat, flour and other foodstuffs, mainly for the armies of Britain and France. This film shows the loading and departure of troops HMAT (His Majesty’s Australian Transport) A20 Hororata from Port Melbourne, Victoria on 18 October 1914. Troops move up the gangplanks of the transport ship. A tug then tows the Hororata out of port and it joins other ships in the convoy to head out to sea.
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Sheep dogs & medieval knights, Australian Gazette
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From a sheepdog trial to a costume parade in support of the French Red Cross – the weekly Australian Gazette newsreel captured a slice of Australian life through the war years.
This example from mid-1915 starts with a sheepdog trial at a showground, followed by shots of the British barque Inverness-Shire, dismasted by wild weather off the coast of Tasmania. The third segment (unfortunately damaged by deterioration of the nitrate film) records a parade heading down Collins St in Melbourne in aid of the French Red Cross. The clip ends with the mammoth funeral procession in Sydney for the great Australian batsman Victor Trumper.
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Bright blades flickering into straw-filled sacks
Video
As part of their full 16-week training course, recruits were given four weeks of training in drill, artillery and bayonet use at Featherston Military Training Camp, in the countryside north of Wellington. This film shows Lewis gun instruction, and fixed bayonet training with straw-filled dummies. A history of the Trentham Camp recorded how: “The bright blades flickered into the straw-filled sacks, out again and in again. At each point the men made hoarse guttural noises, like football war-cries, and when the enemy was presumed to be dealt with they charged on for a line of trenches. The instructor had overtaken them... But he scarcely could be heard for the yelling of his men, mingled with the war-cries of other squads.”