Search results
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Seeing the Sights in Paris
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A party of young women show a group of smartly dressed British, Australian, American and New Zealand soldiers the sights of Paris. Insignia on the women’s clothing suggests they are from the Red Cross. In this excerpt, the group walk along a concourse toward the Eiffel Tower. A pan around the party of sightseers shows a smiling, cheerful group. Later on, the group is in front of the Hôtel de Ville, before all climbing into a truck.
When the Armistice was signed in November 1918, there were 56,000 New Zealanders overseas or at sea. Demobilisation was a carefully planned manoeuvre with most troops and nurses returning home during 1919 – though the last New Zealanders did not return home until 1921. Troops were anxious to leave and so, to counter rising tension as soldiers waited to hear when they could go home, activities such as the Inter-Allied Games and sightseeing parties were designed to keep the men occupied.
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Hospital Blues
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This brief clip shows soldiers feeding hens and gathering eggs in an unidentified New Zealand hospital in 1918 in the United Kingdom. Their lemon squeezer hats identify them as New Zealanders and their uniforms further identify them as hospital patients. Known as the “hospital blues” (also as convalescent blues, or hospital undress) the single-breasted suit and trousers uniform was made out of flannel material of an Oxford-Blue colour, with a white shirt and red tie.
The hospital blues served a number of functions and were important within the hospital environment. In the first instance, they were a replacement for dirty and often infested uniforms and therefore helped to improve hygiene and cleanliness. They were also a way to distinguish the patients from doctors, nurses and visitors and enabled the administration to maintain discipline and rank. The hospital blues also worked as a form of social control, as publicans were not allowed to sell liquor to men in the blues.
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Presenting Flags
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A large crowd of hospital staff and interested public gather outside the Town Hall in Lymington in Hampshire, England on 5 March 1919 to watch the principal matron present the New Zealand flag to the Mayor.
After the flag presentation the scene shifts to the graveyard at nearby St Nicholas’s Church, Brockenhurst – where 93 New Zealanders who died in the The No. 1 New Zealand General Hospital are buried. The No. 1 New Zealand General Hospital at Brockenhurst opened in June 1916 after being moved there from Abasseyeh in Egypt. By 1919, when it closed, 21,000 patients had been treated in the hospital.
The final scenes show Lieutenant-Colonel Percival Fenwick and his staff walking among the graves as the camera pans across the graves and the church.
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Goodbye to Blighty
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The evocative title for Pathé Gazette No. 535 says it all – Liverpool Good-bye to ‘Blighty’ – (New Zealand Soldiers Leave England with their Wives).
This short, 23-second clip, shows a passenger ship lined with New Zealand soldiers and their wives, waving goodbye. Quay-side friends and family members wave farewell – among those on shore are several New Zealanders identifiable in their lemon squeezer hats.
For New Zealand servicemen who had married ‘war brides’ – predominantly women from Britain and Europe – where possible the Defence Department arranged for the passage of both wives and children so that they could go to their new home on the demobilisation ships with their Kiwi husbands.
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Memorial to the Gallant New Zealanders
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Crowds gather to watch the unveiling of the memorial to the “gallant New Zealanders” at Messines Ridge in Belgium on 1 August 1924.
A panning shot reveals a World War One cemetery and rows of graves (presumably of New Zealand soldiers). Soldiers and war veterans walk up a path between the graves. The King of Belgium, Albert I accompanied by the New Zealand High Commissioner, Sir James Allen and General Sir Andrew Russell and other dignitaries gather on the dais for the unveiling of the memorial which is draped with a New Zealand flag.
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Three cheers for the Prince!
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A camera positioned opposite Australia House on The Strand in London, captures Australian troops on parade for Anzac Day, 1919. The vast number of Australian troops is some indication of the scale of Australia's contribution to the war effort.
The Prince of Wales (later King Edward VIII) stands on the raised platform, taking the salute. With him are Field Marshall Sir Douglas Haig to the right and HRH Prince Albert (later King George VI) further back, next to Lieutenant General Sir William R Birdwood (left). Also featured on the stand are Billy Hughes (Prime Minister of Australia); Andrew Fisher (Australian High Commissioner to the United Kingdom); Sir Thomas McKenzie (New Zealand High Commissioner to the United Kingdom); Sir Joseph Cook and Senator Pearce (the Australian Minister for Defence).
The parade ends with Australian and New Zealand troops and British citizens pushing forward and mobbing the Prince of Wales with three cheers!
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Military Olympics
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This film shows the opening march-past of athletes in the Inter-Allied Games held on the outskirts of Paris from 22 June to 6 July 1919. Watch for the cameramen on the left of the frame.
Competitive events were put on in 22 sports, with 1,500 men from 19 countries competing. Look out for the New Zealanders with their distinctive silver fern – and team coach Sergeant EJ Benjamin carries the New Zealand flag.
With a team of 300 competitors, the United States dominated and placed first in 19 of the 22 events. The French, Australians and Canadians all entered sizeable teams. New Zealand contributed five athletes in track and field and an eight, four and single sculler in the rowing. One athlete represented for Guatemala.
New Zealand did well, coming third in the overall rankings in the track and field (United States 92 points, France 12 points, New Zealand 6 points, Australia 5 points). The New Zealand rowing team also did exceptionally well with Darcy Hadfield winning the international single sculls and the fours and eights both gaining third place.
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Te Hokinga Mai Te Hokowhitu-a-Tū
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Look at the smiling soldiers, jam-packed along the ship’s rail, the Māori Pioneer Battalion is home at last.
After a 36-day journey from Liverpool, the SS Westmoreland arrived in Auckland harbour on the evening of Saturday 5 April 1919. It berthed the following morning and 1,033 personnel disembarked to great fanfare – guns fired a salute, all the ships in the harbour sounded their sirens and horns, three bands played patriotic music and dignitaries greeted the men with brief speeches.
Renowned Te Arawa leader Mita Taupopoki can be seen with his distinctive tāniko bonnet towards the end of the film clip. One of the haka being performed is the Ngāpuhi war cry “Ka eke te wīwī, ka eke te wāwā” – complete with the leaping in unison and brandishing of taiaha and tewhatewha fighting staffs.
Following the reception at the wharf the Battalion marched to a pōwhiri at Auckland Domain. Tribes from all over the country gathered to welcome the men home, along with thousands of spectators.
Of the 43,572 servicemen and nurses who returned home in 63 demobilisation sailings, only the Māori Pioneer Battalion returned together, as a complete unit.
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In Memory of the Unreturning Brave
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Otago Boys’ High School celebrated its Diamond Jubilee in August 1923 – the 75th anniversary was a huge celebration over several days. Activities included rugby matches, a parade, a ball and, most importantly, the dedication of the memorial gates commemorating ex-pupils who fought and died in World War One.
The Otago Daily Times reported that the “school gave freely of her best sons in that great conflict, and of these nearly 200 are numbered with ‘the unreturning brave’. It was fitting, therefore, that first of all the functions at this Diamond Jubilee should be the dedication of the beautiful memorial archway, which records in letters of brass the glorious roll call of those who thus gave their all”.
Watch as the Mayor, Mr HL Tapley and officials lead a parade of guests through the archway and into the college grounds, cadets then form a guard of honour and the flag blows patriotically! A parade of cadets march into the school.
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Victoria Cross Corner
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Sunday 29 January 1956, when the Victoria Cross Memorial was unveiled, was a memorable day in Dunedin, New Zealand – everyone was there, dressed in their best.
The unveiling of the memorial, outside the main entrance to the Dunedin RSA on the corner of Burlington Street and Moray Place, was a grand occasion attended by the Governor-General of New Zealand Sir Willoughby Norrie and Lady Norrie.
A plaque lists the names of the 22 recipients of the Victoria Cross, nine of whom were in attendance that day, and one of them – the Reverend Keith Elliott – dedicated the memorial. Reflecting the language of the time, the plaque pays tribute to soldiers of “the Maori War 1864, South African War 1899 – 1902, The Great War 1914 – 1918 and The World War 1939 – 1945”.
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Investing in Australia’s future
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‘Patriotism must not die because the war is over’, exhorts a father to his son in this clip, reminding his family that peace also brings a responsibility to the nation.
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Peace Day Parade
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A Peace Day Parade at Woonona in New South Wales on 19 July 1919, claimed to be the best procession in the state outside of Sydney.
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The Australian Red Cross in action
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Nurses from the Australian Red Cross serve tea and refreshments to returned soldiers, including those injured and in convalescence.
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Civilian clothing for returned soldiers
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Towards the end of the war the Australian Red Cross focused on helping integrate returned service personnel into work and society. This clip shows women at the Red Cross making and sorting clothes for returned soldiers.
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Occupational Therapy
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Returned Australian soldiers in convalescence are shown to be in good spirits as they hand-craft objects from wooden materials.
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The Treaty of Versailles
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The Paris Peace Conference, also known as the Versailles Peace Conference, saw representatives of the victorious Allied powers meeting to set peace terms for the defeated Central powers after the end of the First World War.
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White Heather Bride
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With the First World War now over, newsreels could focus on happier events.
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Peace Loan Procession
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At the end of the First World War, Australia was in desperate need of funds. To combat this, federal Parliament announced the first Peace Loan campaign on 30 July 1919.
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The Wizard of the Wire sells peace bonds
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The Australian Government used innovative methods to encourage people to buy peace bonds, to help recover the cost of the war. In this clip, Colleano & Sole Bros Circus zoo animals join the promotional campaign.
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Jellicoe Tours the Empire
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John Jellicoe was appointed commander of the British Grand Fleet the day war broke out with Germany in 1914. This clip shows him embarking on a tour of Dominion countries including India, South Africa, Australia, New Zealand and Canada.
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Invested at Buckingham Palace
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London – 3 May 1919 – crowds gather outside Buckingham Palace in London for an investiture by his Majesty King George V. Among the nurses and soldiers receiving awards and honours is a smartly dressed New Zealand officer in his lemon squeezer hat.
On the dais are Queen Mary and members of the royal household. In front stand Field Marshall Sir Douglas Haig and his Generals – Plumer and Sir William Birdwood. Winston Churchill, then Secretary of State for War, stands proudly in morning suit and top hat.
After the ceremony, the New Zealand Expeditionary Force (NZEF) Depot Band march past, followed by the New Zealand Parade Commander. Behind them are the New Zealand Field Artillery – note the infantry with their rifles and bayonets. Next, the Australian Imperial Force (AIF) march past. Mounted officers of the AIF and the Australian Light Horse trot by, and the crowd cheers and waves, then the AIF band march past – they are marching easy – and are followed by the Australian infantry.
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The Ruins of Cambrai
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French Prime Minister Georges Clemenceau and Field Marshal Douglas Haig of the British Army inspect the ruins of the French city of Cambrai in this clip from the Australasian Gazette newsreel.
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Clemenceau’s dark days
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Georges Clemenceau, Prime Minister of France, inspecting French troops during the ‘dark days’ of war in 1918, the year before the assassination attempt. It’s interesting to see among the troops, soldiers from France’s colonies in Africa.
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Peace Loan - Watch for the Aeroplane
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In addition to the loss of life, wars cost money. Government campaigns encouraged Australians to support the war effort by purchasing war bonds which would be repaid with interest. After the war ended these became ‘Peace Loans’ to recover the cost of the war, including assisting returned service personnel to settle back into civilian life.
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An ANZAC visit to Versailles
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Produced in 1918 – 1919 the film The Land We Live In was a two-hour long extravaganza. Sadly only 21 minutes of the original film survive. Aimed at an education market, the film focused on the main centres and principal towns in Aoteroa New Zealand, promoting scenic views and industry in each province.
Curiously, sandwiched between images of scenic wonder and industry is this sequence showing New Zealand soldiers sightseeing at the Palace of Versailles, near Paris, in 1919, during the negotiations for the Treaty of Versailles.
The images were most likely taken by New Zealander Charlie Barton. At that time Barton was New Zealand’s only native-born official war cameraman – unfortunately this is one of the few of his films that survive.
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Tonight at O’Brien’s
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Savvy theatre operators were quick to recognise the power of the local when it came to filling the house. Many cinemas employed cameramen to record local events, rapidly processed the films, which were then on the cinema screen within days – and people flocked to see themselves.
In this case O’Brien’s Empire Theatre, Dunedin’s De Luxe Picture House, filmed the 1921 Anzac Day Parade (25 April) and the unveiling of the North East Valley Memorial. By 28 April the Otago Daily Times carried the advertisement “Special Announcement Re Anzac Day. Pictures of the unveiling, the wreaths, the children, the parade of Anzacs, the councillors and the crowds etc would be shown that night at O’Brien’s”.
This was a remarkable achievement when you consider the necessary developing, printing, processing, editing and delivery that had to occur to make these events happen so quickly.
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A Carefully Arranged Propaganda Exercise
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Keeping his father’s promise that his eldest son and heir would visit “when peace comes”, Edward Prince of Wales (later King Edward VIII), undertook a tour of the Dominions to thank them for their effort and participation in World War One.
The Prince spent a month in Aotearoa, arriving in Auckland onboard the Renown. He toured the country in a lavishly decorated train and by motor coach. In total he visited 50 towns and cities between Auckland and Invercargill. The “dashing playboy” was mobbed by enthusiastic crowds wherever he went and is said to have shaken more than 20,000 hands.
In Auckland the Prince is presented with the 'Freedom of the City' by the Mayor and is given a guard of honour by returned soldiers. In Rotorua, guided by Māui Pōmare, the Prince shakes hands with members of Te Hokowhitu-a-Tū – the Māori Pioneer Battalion. Later he attended a huge reception at the Racecourse.
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World Champs
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It’s 11 June 1921. In Blenheim, New Zealand the anticipation mounts! Will Dick Arnst defend his world title against challenger Pat Hannan – a champion sculler for the New Zealand Expeditionary Force (NZEF)?
The race was big news and had been widely reported in local papers. In response a huge crowd gathered on the banks of the Wairau River, near Blenheim to witness Hannan’s challenge. Arnst had first won the world championship in 1908, then he lost it to Ernest Barry in 1912 and retired from sculling in 1915. But he was back on the scene in 1920. The world title reverted to Arnst by forfeit in 1921 and Hannan was the first to challenge. The papers picked a close race. The excitement was building.
Sadly, though, views of much of the action in this film clip of the race have been obliterated by nitrate decomposition. However, a surprising twist at the end of the film is clear – and well worth the wait!
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All Hostilities Will Cease
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Shortly after 8 am on 11 November 1918, army telegraphist George Thomas was one of the first New Zealanders to learn that after four long years, the war was at an end.
An Armistice with Germany had been signed at 5.20 am that morning. Thomas took down the telegraph message, sent in Morse code, at his New Zealand Division signal station in northern France. He wrote it out in pencil, and when he was interviewed for radio some 50 years later in the 1960s, proudly showed the interviewer the original pencil and message form, which he had kept.
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Supporting the men of Te Hokowhitu-a-Tū
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Māori leader Sir Apirana Ngata fundraised for the men of the Māori Pioneer Battalion during the war, by establishing concert parties which toured the country performing and popularising waiata such as E pari rā and Pōkarekare āna which have remained enduring favourites today.
The money raised from these concerts was used to set up a trust for the men of Te Hokowhitu-a-Tū (the Māori name for the Pioneer Battalion.) In this radio interview, Remi Morrison of Te Arawa, a member of the committee which administered the Māori Soldier’s Trust, explains how they purchased Hereheretau sheep and cattle station, to generate an ongoing income for supporting the returned veterans and their families.
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The Blue Boys
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The impact of wounds, gas, disease and post-traumatic stress or shellshock, meant many returned war veterans would spend a long time in hospital for years after the war – sometimes well into the 1920s.
In the era before antibiotics, people could spend many months recovering from injuries and illness. Dedicated veterans’ hospitals were set up throughout Australia and New Zealand during the war.
In a 1957 radio interview, two New Zealanders, Frank Broad and Alan Kernohan – who were in the King George V Hospital in Rotorua – remembered the restrictions placed on the recovering soldiers.
Throughout the British Empire, men who were able to get out of bed, were known as “Blue Boys” because of their “hospital blues” – a uniform worn by the convalescing soldiers. This marked them out and was supposed to prevent the invalids sneaking off to local hotels for a drink, as civilians were prohibited from supplying alcohol to the men in blue… but there were ways around this, as the men recall.
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The Aussie and the Mademoiselle from Armentières
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Pat Hanna's 1930 recording of the iconic World War One song Mademoiselle from Armentières continued the tradition of adapting the words of this famous song to reflect the different experiences of soldiers during the war. Hanna himself served with the Otago Regiment from New Zealand.
Recorded in Australia on the Vocalion label, this version (with lyrics by Hanna), tells the story of an Australian “Digger” who falls for the French mademoiselle, only to leave her heartbroken when he is killed at Bullecourt (1917) in Northern France. It was a popular number performed as part of Hanna’s “Diggers” vaudeville concert party which toured Australia and New Zealand for many years after the war.
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The Kiwis’ Last Action – Liberating Le Quesnoy
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On 4 November 1918 the New Zealand Rifle Brigade was camped outside the walled medieval French town of Le Quesnoy, which was occupied by the Germans and had been for several years. The town had a moat and very high walls which were hundreds of years old. New Zealand artillery couldn’t be used to bomb the Germans into submission, because about 5,000 French civilians were still living in the occupied town.
The Germans refused to surrender and a party from the 4th Battalion was detailed to try and work out how to scale the 13-metre-high inner brick wall.
Intelligence Officer, Second Lieutenant Leslie Averill – a medical student from Christchurch – used a long, fairly rickety ladder and led a small party of men up the wall. He courageously chased off two German guards with his revolver, which allowed more New Zealanders to then follow him and take the town – without a single civilian casualty.
In 1958, Leslie Averill recorded a talk for radio, describing how he got into the town. (Notice that in this excerpt, in a classic piece of Kiwi understatement, he manages to completely avoid saying that he was the first man up the wall.)
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A Hero’s Painful Memories
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Bernard “Tiny” Freyberg VC, CMG, DSO ended World War One a highly decorated hero – celebrated in Britain as well as his homeland of New Zealand. He had served with the British forces: his Distinguished Service Order (DSO) was won at Gallipoli, his Victoria Cross (VC) on the Somme and, at the age of 27, he was made the youngest Brigadier-General in the British Army. He would go on to command the 2nd New Zealand Division in World War Two and become Governor-General of New Zealand.
Born in London, he grew up in New Zealand after his family emigrated and he attended Wellington College, in the capital city.
In 1921, still suffering from the many wounds he received during the war, he returned to New Zealand for several weeks to recuperate. He turned down all requests for public appearances and a civic reception, but he did take time to visit his old school and address an assembly of the boys.
One of those schoolboys, Max Riske, vividly recalled the event some 60 years later in a radio interview. As Max explains, the boys were expecting a stirring speech from a glorious war hero – but got something quite different from the man who had lost two brothers and many friends in the war.
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No Beer for Soldiers after 6pm
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Returning New Zealand soldiers found changes had been made to their homeland while they were away fighting. As a war measure, the early closing of hotels had been introduced in 1917, with all pubs forced to close at 6pm.
In a radio documentary recorded in 1977, entitled A Land Fit for Heroes, several men recalled the effect of these measures on New Zealand society and the anger they inspired in returning soldiers.
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The Diggers’ March in Sydney
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In April 1938, several thousand New Zealand “diggers” sailed from Wellington for Sydney, where they reunited with their Australian “cobbers” of 1914 – 1918 in a grand Anzac Day procession through the city.
The huge march from the Cenotaph to the Domain, where a commemoration service was held, was part of Australia’s 150th anniversary celebrations and some 50,000 returned servicemen took part – with an estimated half a million people lining the Sydney streets.
In this live radio broadcast from the Wellington waterfront, Station 2ZB announcers – who were veterans themselves – capture the cheering, bands and excitement on the docks. New Zealand Prime Minister Michael Joseph Savage farewells the old soldiers as they board former World War One troopships – ‘the Monowai’ and ‘the Maunganui’ – for the trip across the Tasman.
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Marching in Dunedin
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Following an ANZAC Day ceremony at the Cenotaph in Queen's Garden, Dunedin, hundreds of veterans march down Princes Street. The sheer number of marchers reflects the fact that the Otago and Southland regions provided the largest number of soldiers for the New Zealand Expeditionary Force (NZEF) per head of population. On parade are the 4th Otago Hussars; the 5th Otago Mounted Rifles and marines from a Royal Navy ship. The Battalion Band is followed by officers on horseback and soldiers of the Territorial Regiment. Each company is led by the company commander on horseback, all of whom wear medal ribbons indicating they are World War One veterans.
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Just enough speechifying
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In 1912, Sir Thomas Mackenzie, former Prime Minister, was appointed as the New Zealand High Commissioner to London; a post he held until 1920. Mackenzie was particularly concerned about the treatment of New Zealand soldiers and made several visits to see the troops during the war.
In this clip, Mackenzie, with his back to the camera, talks to New Zealanders outside the 2nd New Zealand Field Ambulance station.
During his visit, Mackenzie also joined the 2nd Otago church parade, inspected the New Zealand Engineers and made an address to the 3rd Otago Battalion. At the end of Mackenzie’s visit Major General Sir Andrew Russell noted in his diary: "The whole visit has been successful, fine weather – just enough speechifying but not too much”.
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Images of war
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A sergeant from the 1st Battalion, New Zealand Rifle Brigade fires rifle grenades from a trench. The work is repetitious and dangerous, as rifle grenades were temperamental – sometimes landing in the trench or exploding in the barrel.
The destructive power of heavy artillery fire is seen in a pan across the pulverised remains of a village – the scene is one of complete desolation. The pan ends on a trench scene, sandbags are piled high and soldiers with their gas mask satchels on their chest descend into a dugout.
A line of soldiers stumbles through a large shell hole, knee-deep in water – it is some 20 meters in diameter and 4 to 5 metres deep. The soldiers are conscious of the camera, however the conditions are not staged – they are typical of those endured by the New Zealand Division in the low-lying trenches of Northern France during the winters of 1916 and 1917. It was not uncommon for men to spend up to eight days at a stretch in these tough conditions.
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Jaffa scenes
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Street scenes in El Mejdel after the capture of Jaffa on 16 November 1917, by the Wellington Mounted Rifle Regiment, New Zealand Mounted Rifle Brigade and ANZAC Mounted Division.
A shot of the town hall clock shows that filming had occurred within half an hour of the town’s capture. Members of a New Zealand troop, with their tethered horses, relax on the outskirts of the town. They are cleaning up, smoking and enjoying a drink in the shade after a week of hard riding and heavy fighting.
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March-past
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King George V inspects 7,000 New Zealand troops at Bulford Field on 1 May 1917. New Zealand’s high command did not miss the opportunity and also present were Generals, Brigadiers, the Prime Minister William Massey, Joseph Ward – Leader of the Opposition and their wives and daughters and other dignitaries.
The 7,000 New Zealand troops on parade included: 4,000 from 4th Brigade; 1,500 from Sling Camp; 1,000 from Codford Command along with Engineers, ASC, Cadets and a few mounted rifles. After inspecting the troops, the King took the march-past and presented medals.
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Back to Blighty
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An ambulance arrives at a New Zealand General Hospital and medical orderlies unload wounded soldiers. Around them are wounded men in various states of recovery – note the number of walking sticks and amputees. All of the patients are dressed in “hospital blues” – a uniform worn by all hospital soldiers in the United Kingdom. Under the Defence of the Realm Act it was forbidden for Public Houses to sell liquor to a soldier in hospital blues.
Can you help us identify the hospital? We know it is a New Zealand General Hospital, so it is either Brockenhurst or Walton-on-Thames. Please contact us if can you help us.
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Returning Home
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In this brief clip a group of New Zealand soldiers smile and wave to the camera. They have been invalided out of the war and are on their way home. The camera pans to show “trophies” of war – two soldiers wear gas masks, while a third displays an iron cross – all souvenired from the battlefields, from German soldiers.
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Amusing sports events
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Scenes from the “Strawberry Fete” held at Torquay in Devon in the United Kingdom on Alexandra Day, Wednesday 27 June 1917. Promoted by the Four Allied Trades: Dairymen, Fruiterers, Grocers and Bakers, the fete was both a fundraiser and a morale booster.
Pictured here are New Zealand Expeditionary Force (NZEF) personnel, nurses and locals participating in games and novelty races, including blindfolded races, crawling races, wheelbarrow races and apple-eating competitions. Soldiers, too injured to participate, look on.
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Journeys on a jigger
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Stretcher bearers evacuate a wounded soldier from the front line on a stretcher case on a ‘jigger’. The stretcher case is wheeled into the courtyard of the ADS (Advanced Dressing Station). Medicals admit the soldier and his condition is assessed and wounds dressed. More serious cases would have been evacuated by motor ambulance to the Main Dressing Station, in this case the No.3 Field Ambulance at Pont D’Achelles. Just as the ambulance drives off an orderly runs out and throws a soldier’s pack on board.
Filmed in June 1917, in Northern France when the New Zealand Division was on the front line forward of Ploegsteert Wood. It was a period of heavy activity – the buildings were under constant shellfire and were heavily sandbagged.
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Trench Fever
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Although unconfirmed until after the war, one of the biggest enemies that soldiers faced was lice! They thrived in squalid, unhygienic trench conditions and were carriers of bacteria – causing the mysterious disease known as trench fever, along with typhus and scabies. And they made men – already suffering under appalling conditions – unbearably itchy, irritable and depressed!
To try and combat this, the work of the Medical Corps included sanitation “cleansing stations” where men were able to bathe and their uniforms and blankets were steam-cleaned. Watch as freshly bathed soldiers, wrapped in blankets, hand in their uniforms for cleansing in the Fodden Lorry Disinfector.
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Training NZ’s first fighter pilots
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George Bolt, Howard Coverdale and Mr Ross share their experiences as engineers, trainees and flight trainers at the Walsh brothers’ New Zealand Flying School in Auckland, 1915. The school, New Zealand’s first, graduated over 80 pilots during the war, with about one-third of them arriving overseas in time to see action in the air with the Royal Flying Corps or the Royal Naval Air Service.
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Flying over Gallipoli with the RNAS
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Most New Zealanders who flew as pilots in World War I went to Britain and joined the Royal Flying Corps. However, Phillip Kenning Fowler from Feilding, took a different path. Making his own way to England in 1916, he joined the Royal Navy and trained to become a pilot in the Royal Naval Air Service. This air-borne division operated under the Admiralty from 1914 to April 1918 when it merged with the R.F.C. and formed the Royal Air Force, or R.A.F.
Fowler was based initially in the Aegean Sea and eastern Mediterranean. Later in the war, he was one of the pilots tasked with trying to bring down German Zeppelin airships over the English Channel, before they could bomb British cities.
In this radio interview recorded in the 1960s, he recalls burning crops destined for Germany and early aerial bombing techniques. which amounted to simply dropping explosives over the side of the plane.
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Entertaining the troops, “The Kiwis” concert party
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The campaigns of the Western Front saw men serving in frontline combat positions in the trenches usually for a few days to a week at a time. In between, units were rotated back to ‘reserve’ positions several kilometres away from the Front, where boredom was yet another enemy to contend with.
In an attempt to keep the troops entertained, concert parties were formed by the men, with names such as “The Pierrots”, “The Tuis” and “The Kiwis.”
Bill McKeon, who served in the Wellington Infantry and had been in a concert party himself, had fond memories of “The Kiwis” and the high-quality shows they put on at Nieppe, near Armentieres in 1917, which he recalled in a radio interview with Neville Webber.
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New Zealand Nurses at Amiens
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Ida Willis’ service as a nurse during WWI saw her involved in virtually all the theatres of war in which New Zealand forces served. In these excerpts from two radio interviews recorded in the 1960s, she recalls the long hours involved in treating wounded men in northern France, especially when a battle was underway.
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Flying the “Fighting Experimental Machine”
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Royal Flying Corps Flight Commander Reg Kingsford of Nelson, New Zealand describes the third aircraft he learnt to fly during World War I, as the “Fighting Experimental machine.” Officially, it was the Royal Air Factory F.E.2b, the Farman Experimental 2 biplane (two-seater), in which he took a fellow Kiwi for a joyride.
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A Case of shell shock
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George Lee recounts a story of a Sergeant who after being caught in a salvo on patrol came back “absolutely useless” and unable to function. He talks about the men who, after realising his condition, concealed it from the commander – because even at that late stage of the war there was little sympathy for those suffering from shell shock.
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Māori and Pākehā on the Western Front
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George Puhi Nicholas served in World War I with the Māori Pioneer Battalion in northern France and Bob Robertson, a Pākehā, with the 6th Hauraki Regiment. In a joint radio interview recorded in 1985 they compare notes on their memories of the trenches, the bad food, the lice and the mates they lost.
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The nimble “Scout Experimental”
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Legendary New Zealand fighter pilot Keith “Grid” Caldwell, engaged in more fights, for his time in the air, than any other pilot in WW I. He also commanded one of the most successful fighter units, No 74 ‘Tiger’ Squadron. In this interview excerpt he describes the capabilities of the British fighter biplane, the “Scout Experimental” or formally, Royal Aircraft Factory S.E. 5.
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Fighter Aviation Takes Off
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In 1916, 2nd Lieutenant Keith Caldwell joined No.75 Squadron of the newly-formed Royal Flying Corps. The squadron went on to have an impressive history as part of the RAF and RNZAF, despite deficiencies in early aircraft design. In this brief interview, Caldwell describes flying BE2 and Sopwith Camel fighter planes. Captain ‘Tiny’ White, another New Zealander in No.75 Squadron recalls the lack of flight instruction available and the sportsman-like ethic between opposing front line forces at the beginning of the war.
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Newcomer to the trenches
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New Zealander George Lee was born in Canada and served in World War I with the British Army. He was shipped to the trenches near Antwerp in April 1918. In this excerpt from an hour-long radio programme about his war experiences, he gives a vivid account of his first experience of being under fire. He contrasts his own visceral reaction of terror with that of a hardened comrade who had already been in the trenches for four years, and for whom such events had become commonplace.
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Blighty wounds and deserters
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George Lee was among the later reinforcements to join the war, arriving in the trenches near Antwerp in April 1918. By this time, conditions at the front line were intolerable. There were only two ways out; death or injury. In this excerpt, Lee remembers the different methods men employed to be invalided out of the trenches.
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A louse named Charlie
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Many aspects of trench life were unpleasant – the mud and squalor, the monotony and drudgery, the abysmal diet, malnutrition and dysentery, the constant threat of death from enemy fire, and to top it off the discomfort – lice. The troops were crawling with them, almost to a man. In this excerpt from a 1981 radio documentary, George Lee recalls advice he got from a ‘lousy’ trench mate named Jack Saunders.
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Going ‘over the top’ at Messines by John A. Lee
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On 7th June 1917, New Zealand Labour politician and author John A. Lee was a 25 year old, serving with the 9th (Hawke's Bay) Company of the 1st Battalion, Wellington Infantry Regiment on the Western Front.
Some 50 years after the war, in 1968 he made this recording, still vividly recalling the experience of ‘going over the top’ behind the thundering Allied artillery barrage, which he calls “the greatest curtain of Hell in all history.”
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Take Me Back to Dear Old Blighty
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This song, in which a series of soldiers yearn to return to ‘Blighty’, or Britain, was hugely popular in 1917.
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Never Mind the Food Controller
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An uplifting music hall song, intended to provide comfort during wartime food rationing.
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I’m Going Back Again to Yarrawonga
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"I’ll linger longer in Yarrawonga"
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The Rose of No Man’s Land
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A sentimental song composed as a tribute to Red Cross battlefield nurses.
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What Did You Do in the Great War, Daddy?
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The subject of a child innocently shaming their father for failing to carry out military service was a commonly used theme of war propaganda.
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Every Girl is a Fisher Girl
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This rousing music hall song by Australian-born Florrie Forde, popular during WW1, suggests that every girl is ‘fishing for a mate’.
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France’s South Pacific Soldiers in Sydney
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The First World War was truly a global war. What brought this home to Australians was seeing troops from other countries, including France’s Pacific colonies, passing through their country on their way to the Front.
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The Patriot Spirit
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Troops from France’s Pacific colonies, on their way to the war in Europe, allowed Australians to display their loyalty and patriotism.
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Carving Anzac Day
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An Anzac Day cinema advertisement encouraging Australians to not only mark Anzac Day as a day of significance but to 'carve’ its meaning into the nation’s psyche.
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Sydney Marches to Remember
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With their white, starched uniforms and red crosses on their foreheads, 2000 members of the Junior Red Cross make a startling presence at the eleventh anniversary of Anzac Day in Sydney.
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Anzac football in London
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During their war service, Australian troops organised Australian Rules football matches across Europe. The highest profile matches were played in the United Kingdom but one-off matches were also played in other countries, including Belgium and France in 1919.
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Lest We Forget
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Thousands of Melburnians turn out in the pouring rain in 1925, to honour the fallen of the First World War.
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Royal Decorations
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A young Prince of Wales decorates Australian soldiers in France.
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Mimic Warfare
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Troops needed to practice warfare before experiencing the real thing. But they probably didn’t expect to have children walking around the ‘battlefield’ watching them!
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Fill-the-Gap
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“We are dying of exhaustion for want of a spell”
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Ask Your Tailor for Anzac Tweed
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The factory weaving Anzac Tweed was on the brink of closure when it was taken over by the Returned Soldiers and Sailors Imperial League. It then employed only returned servicemen and their families.
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The Choice is Yours
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A government film gives hope of rehabilitation to the returning war veteran.
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With the Aid of the Red Cross
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Veterans returning in wheelchairs and with missing limbs gave Australians at home their first sight of the true cost of modern warfare.
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Learning to farm
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After surviving the bloody battles on the Western Front and elsewhere, able-bodied returning soldiers were offered opportunities to become farmers.
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Anzac Hospitals at Home
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Returned servicemen engage in handicrafts, music-making and a degree of flirting with nurses while convalescing in an Anzac hospital.
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France on the Firing Line
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France on the Firing Line was one of two propaganda films made by New York producer and theatre manager Lee Kugel and released through his company Kulee Features. The other – the now-lost Germany on the Firing Line – took the pro-Central Powers position, but reportedly contained similar footage of troops on the front line and copious dramatic explosions. When the films were released in 1916, the isolationist United States still hadn’t decided on which side they were going to enter the war – and as a clever producer, Kugel played to both sides. Though both played in the US, not surprisingly there is no evidence that Germany on the Firing Line was released in New Zealand.
Though not completely lost, only 8 of the original 85 minutes remain. The print held at Nga Taonga Sound & Vision – the only footage known to survive anywhere in the world – unfortunately suffers from nitrate decomposition. This irreversible chemical reaction causes the film stock to becomes brittle, crumbly and sticky, and the image to dissolve into an indistinct whirl. Luckily we have secondary resources such as this poster to provide additional information on the film.
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Hinemoa
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'The first big dramatic work filmed and acted in the land of the Moa,' was Hinemoa (1914), New Zealand's first feature.
With a budget of £50, George Tarr directed Hinemoa over eight hectic days in Rotorua. Hera Tawhai and her husband Rua starred along with the Reverend Bennett's Maori Choir Party. With the film almost complete but the budget gone, George Tarr headed to Auckland to show it to his investors and distributor Mr Hayward. They loved it. Hayward wanted to show it immediately on 'the same terms as I'm paying now for Antony and Cleopatra.'
Hinemoa premiered at the Lyric Theatre, Auckland on 17 August 1914, during the first weeks of World War I. With only one print producer George Tarr travelled the film around the country for 5 months – doing good business.
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Steeds and shellfire on the Western Front
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The horses that were sent to the Western Front during the First World War faced many of the same difficulties as the soldiers that they served. Horses were used to transport officers, heavy artillery and other equipment to the front lines. The artillery conveyed by these horses was an essential element of the military strategies that developed on the battlefront. The Battle of the Somme in 1916 in particular saw the first widespread use of the ‘creeping barrage’, a strategy designed to provide cover for an advancing line of infantry.
Leonard Leary was a law student in Wellington who first served in Samoa after joining up in 1914 and then joined the British Royal Artillery and fought at the Battle of the Somme. In this 'Spectrum' radio documentary from 1982 he recalls both the trials of controlling horses amid the confusion of a battlefield and the use of the creeping barrage at the Somme.
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A dead teenager and life on the Somme
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Like many young men, New Zealander Jim Warner lied about his age to enlist in World War I and found himself going into action on the Somme with the Auckland Infantry at the age of 18.
In this excerpt from a lengthy interview he recorded with Radio New Zealand reporter Andrew McRae in 1982, he recalls the conditions, the death of his 16-year-old friend and the shattered landscape of northern France which had been shelled heavily by the time the New Zealanders arrived in September 1916.
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First day on the Somme for Kiwis and tanks
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On the 15th of September 1916, the New Zealand Division saw their first major action on the Western Front. In the Battle of Flers-Courcelette, they joined British forces as part of the continued effort to attack German-held territory around the river Somme in northern France.
A new element was also introduced on September 15 with the arrival of tanks in battle for the first time. British military leaders hoped that these new armoured machines, initially known as land-ships, would be able to straddle enemy trenches, break through barbed wire entanglements and end the stalemate of trench warfare.
But Lindsay Inglis, a New Zealand officer involved in action that day, recalls the tanks he saw were less-than-impressive.
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Photos after the first conscription ballot
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Shot on 16 November 1916, the day of the first World War One conscription ballot held under the Military Service Act of 1916, this film shows the female and male staff of the Government Statisticians Office, all dressed in their Sunday best, posing for the camera on the roof of Routh’s Building in Wellington. The New Zealand Truth described the ballot as “An Epoch Making Event in New Zealand’s History” and “the first gamble in human life”. It was also pointed out that the women who are seen in the film, who drew registration cards for the ballot, could possibly “draw their sweetheart’s cards as time goes on”. (Truth, 18 November 1916, p.6)
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"The first gamble in human life"
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In 1916 the New Zealand Government introduced conscription (compulsory enlistment for military service), to reinforce the shrinking numbers of men volunteering to serve in WW1. All men eligible for service were then required to register their names and other details, such as age and marriage status. This silent film clip, shot by the government’s own cameraman, shows the first-ever ballot at the Government Statistician’s Office, to determine which registered men would be selected for war service. The registration cards are laid out in boxes on long tables. Their numbers are transferred onto wooden balls which are placed in a rotating tumbler and randomly selected.
Conscription was politically contentious, and the film shows a party of journalists invited to view and report on the first ballot. They include Harry Holland, reporting for the labour movement paper, the Maoriland Worker. He had been imprisoned for sedition, for speaking out against conscription two years ealier in 1914.
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The sound of the silents
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Although there were no sound tracks recorded, or played, on films made during the First World War, audiences never watched films silently. In cinemas across Australia and New Zealand orchestras (which could mean anything from a single pianist to a full instrumental ensemble) provided music to accompany movies, and played as the audience entered and exited the cinema.
Violet Donaldson (nee Capstick) worked for many years as a pianist at three cinemas in Timaru. In this extract she recalls the “primitive conditions” in the theatres and also how she wrote and played tunes based on sheet music she listened to at the music shop she worked at, surprising returned servicemen who weren’t expecting to hear the latest in European music back home.
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Short films, audiences and nitrate fires
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Harry Kennedy was a long-time picture theatre manager in Timaru. In this interview, recorded on his retirement after decades working in showbiz, he recalls the types of films shown to cinema-goers, the enthusiastic applause and appreciation of the audience to films shown to them, as well as one of the hazards of film at the time: a nitrate fire in the biobox (projection booth).
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Projectionists, orchestras & silent films
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Harry Kennedy was a long-time picture theatre manager in Timaru. In this interview, recorded on his retirement after decades working in showbiz, he recalls some of the challenges projectionists faced as well as the sounds that accompanied “silent films”. Sound effects were supplied by staff watching the action on screen, and orchestras, made up of “tip top” musicians”, played music to bring the movies to life.
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Early newsreels: A 1915 Pathé Animated Gazette
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People went to cinemas during the war to be entertained, but moving-pictures also played an important role in providing cinema-goers with news and information from abroad. Early newsreels, or topical films, were an important part of the typical cinema programme of the time.
This film is an example of a full-length Pathé Animated Gazette newsreel that was shown during the war. It demonstrates the contents of these types of films and how they mixed serious topics with more light-hearted footage: scenes of the Algerian Native Cavalry in Flanders, a brief glimpse of King George V and Queen Mary making their way through packed London Streets to a service at St Paul’s Cathedral, the opening of a New Zealand military hospital, and Zouaves (Algerian French Infantry).
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German war films
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As the war raged on, all the combatant nations quickly realised the power of film. Germany used its film industry to try to sway the hearts and minds of neutral countries – particularly the United States. This image is from the American trade journal, The Moving Picture World, published in November 1915, and is part of the Henry Gore Collection. It is an example of the feature film propaganda produced by the German film industry for exhibition in the United States, which was still neutral at the time. These types of films was quickly banned from being shown in New Zealand.
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The Empire’s Troops
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Nearly three million troops from the colonies of the British Empire served during the First World War. This film made by Pathé Freres, released in 1917 but filmed over the period 1915 to 1917, shows how broadly based the Allied forces were. We see Canadians at Salisbury Plains, Indians at Marseilles, and Australians and New Zealanders in Egypt.
Usually films of soldiers during the war are formal affairs. While the film starts off this way, with the usual scenes of training, marching and inspections, it also shows troops of all the different nationalities in a more informal mood, playing up to the camera-- including performing a Highland jig! It also shows a rare glimpse of ANZAC forces at camp relaxing in Egypt, with the spectacular backdrop of the Pyramids behind them.
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The martyrs of Ripa
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This 1980 ‘Spectrum’ radio documentary examines the treatment of a group of conscientious objectors who refused to take part in national military training. The 13 young men were held on Ripapa (also known as Ripa) Island, in Lyttelton Harbour near Christchurch, for some months during 1913. Their treatment was sometimes harsh, and when their case was made public they were dubbed by the press ‘The martyrs of Ripa’.
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First English hospital for wounded Kiwis
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The New Zealand Military Hospital at Walton-on-Thames was the first English hospital to be established for Kiwi soldiers during the First World War. It was officially opened on Saturday 31 July 1915, in a ceremony attended by “one of the largest gatherings of New Zealanders that has ever assembled" in the UK. (Evening Post, 24 September 1915, p.4)
This film clip shows NZ High Commissioner Thomas Mackenzie and William Lord Plunket at the hospital’s official opening ceremony on 31 July 1915. Lord Plunket was a former Governor of New Zealand and the chair of the NZ War Contingent Association, formed on London at the outbreak of the war to support wounded NZ troops. The Association helped to select the hospital premises, and its members later visited convalescing patients.
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Bringing the audience into the picture
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The experience of the cinema-going public remains perhaps the most challenging aspect of understanding film and audiences in New Zealand and Australia during the Great War. This image, taken circa 1910 in an unknown New Zealand cinema, is a rare glimpse back at a packed house.
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Spruiking the pics
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Cinema managers pulled out every trick in the book to draw crowds to their theatres, from boys wearing sandwich boards to getting them dressed up in fancy costumes. This picture, which dates from around 1910, is from the E. Trevor Hill album and shows one such advertising stunt. It looks as though the young boys employed by the cinema built the horse-drawn cart which would have been led around the city streets encouraging punters to roll up to that day’s matinee show.
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Australia Day at Burra
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This newsreel shows the then prosperous and bustling mining town of Burra, or the collection of townships known as ‘The Burra’, celebrating Australia Day on July the 30th, predating the now national celebration held on 26 January. At that time there was no nationally recognised national day, instead they usually were based around each state’s date of significance for the founding of the colony.
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“The Answer to Declining Enlistment Numbers”
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This pro-conscription cartoon appeared shortly after August 1915. Although Australia had not long been involved in the war, it was already becoming apparent that casualty rates in Turkey were extremely high.
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The campaign that failed
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Conscription was introduced by law in New Zealand. However, Australians were able to vote on introducing conscription in a referendum in October 1916. This film was made as part of the “Vote Yes’ campaign. It shows PM William Hughes presenting the pro-conscription case, followed by messages to vote 'Yes' from well known figures such as the martyred Nurse Cavell, King George V and France’s General Joffre. Despite these efforts, however, the campaign for conscription was narrowly defeated.
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“The Hero of the Dardanelles”
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“Produced with the wholehearted co-operation of the military and naval authorities,” The Hero of the Dardanelles, was a feature-length narrative film made to encourage men to enlist. It premiered at Melbourne’s Majestic Theatre on 17 July 1915, unfortunately, only the first 11 minutes of the 40-minute film survive.
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Within Our Gates
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After the outbreak of war there was a growing public opinion that all Germans in Australia were a threat to security and should be interned. In this cartoon, this attitude appears as a fear that employees of German origin are protected in government jobs.
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Regarding the epidemic of marriages
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A report issued in March 1916 observed that wounded and convalescing Anzac troops were falling in love with their nurses, and marrying them. Officials were concerned that these marriages, made in haste during exceptional circumstances, might not be wise. The situation became further complicated as servicemen applied for grants to bring their new brides back to Australia.
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The wounded return home to Australia
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More than 150 sick and wounded men return to Australia on the S.S Karoola which was fitted as a hospital ship in England. Soldiers suffering severe injuries are transported from the ship to waiting vehicles. They disembark on stretchers and, rather unconventionally, by piggy-back.
When sick and wounded soldiers left the battlefield they were out of immediate danger, but were not entirely safe until they reached their final destination. It was not uncommon for hospital ships to be attacked, whether because of mistaken identity or intentionally. The Australian hospital ship HMAT Warilda was sunk on 3 August 1918 with the loss of 123 lives. The greatest disaster of this kind was in February 1916 when a German U-boat torpedoed the Canadian hospital ship HMHS Llandovery Castle, with the loss of 234 lives. After the war the U-boat’s captain and two of his lieutenants were charged with war crimes.
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Caring for our Wounded
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Over 3,000 Australian nurses volunteered during the First World War, working in hospitals, including hospital ships and trains, and in field stations closer to the front line. This film shows scenes of Allied forces medical staff and stations taken throughout the Western Front, 1916-1918: “No words can describe the awfulness of the wounds. Bullets are nothing. It is the shrapnel that tears through the flesh and cuts off limbs”
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Boxing and recruiting
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In the early stages of the war sport was seen as a fertile site for recruitment, and this film shows 17,000 spectators crammed into the Sydney Stadium to witness Les Darcy defend his world middleweight title against American Eddie McGoorty in 1915. An intense affair, Police ended the fight in the 15th round after McGoorty was knocked down for the fourth time. Beforehand the Premier of NSW, William Holman, and the opposition leader, Charles Wade, were scheduled to give a recruitment speech.
However, as it became obvious that the war would not be over quickly, and as casualties from Gallipoli mounted, sport was condemned as a distraction from fighting and the home front war effort.
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Patriotic Football
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Football clubs displayed their patriotism by publishing lists of players (past and present) who had enlisted, and by organising carnivals and events to raise funds for the war effort. This film shows a fundraising match between the 1915 VFL premiers Carlton and an Army Camp side at the Melbourne Cricket Ground. The Camp team, wearing the Collingwood strip, was made up of current and former AFL players who had enlisted in the Australian Imperial Force. The match, won by Carlton, raised 248 pounds for the Wounded Soldiers Fund and attracted 6000 spectators.
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Australian Light Horse in the Middle East
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The Australian Light Horse Regiments are almost legendary, although accounts of their actions may be more myth than fact. This film shows some of the 6,1000 horses embarking from an AIF transport ship, along with troops. The footage also shows the Imperial Camel Corps, established in January 1916 and made up of British, Australian and NZ battalions, entering the town of Beersheba, with General Edmund Allenby who headed the British Empire’s Egyptian Expeditionary Force. He is seen here after Jerusalem’s fall into Allied hands on 9 December 1917, reading his proclamation of martial law in the nine languages of the city.
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Australian troops at the Pyramids
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Australian and New Zealand troops arrived in Egypt in December 1914. They set up Mena Camp near the Great Pyramids outside Cairo and began training in preparation for the Western Front and Gallipoli. This footage sees them exploring the extraordinary landmarks - the Pyramids and the Sphinx.
While they waited in Egypt to be deployed, the Australian and New Zealand forces were formed into the Australian and New Zealand Army Corps (ANZAC) under the command of Lieutenant General William Birdwood. The training the Anzacs received was only rudimentary, and did little to prepare them for what was to come.
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Direct to Aussie
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This footage shows Australian troops boarding a train in France after the battle of the Somme and some of the worst fighting of World War One. One carriage has ‘Direct to Aussie’ on the side, suggesting the troops are returning home – or perhaps just wishing they were!
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Billy Hughes visits the AIF’s home away from home
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The First World War led to a major influx of Australians into Britain. From summer 1916 to the end of the war there were never fewer than 50,000 Australian troops present. In 1915 Horseferry Road in Westminster, London, became a home away from home for the Anzacs. The AIF Administrative Headquarters, the Australian War Records Section and the War Chest Club were located there (the Club was established to promote the welfare of all soldiers). Horseferry Road became a historically significant Australian location: it was where the Anzacs could create a community for themselves, and was filled with men wearing slouch caps and speaking with familiar accents.
In this film the Australian Prime Minister, William ‘Billy’ Hughes, doffs his top hat to the camera before inspecting soldiers at the AIF Headquarters. These visits were effective in raising troop morale, letting them know that, though far from their own country, they remained in the thoughts of those back home.
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Flags for Victory
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Belgian Flag Days, along with French Flag Days, Violet Day and Wattle Day, occurred across Australia during World War One. They were organised to raise funds, engage communities and encourage new recruits, as well as to honour and pay respect to the wounded, the fallen and their families. This film shows a Belgian Flag Day held at the former mining town of Burra, South Australia, on 10 May 1915.
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Australian soldiers in France
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Prime minister William (Billy) Hughes, Sir General Rawlinson and Major General Monash visited AIF soldiers in bombed out Péronne, Somme, France, July 1918. For almost the whole of the war, the town of Péronne was occupied by German troops; it was liberated by Australian troops on 2 September 1918.
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The Sydney suburb of Manly remembers the fallen
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This film shows the unveiling of a monument for Alan David Mitchell, the first soldier from Manly to die in the war. Erected by his parents and unveiled on 14 October 1916, the monument remains in place along The Corso in Manly. Over time it has been updated to commemorate all those from the district who have died fighting in conflicts from the South African War to Afghanistan.
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Nurse Cavell deep in prayer
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Nurse Cavell is a 1916 Australian feature-length film directed by W. J. Lincoln about the execution of Edith Cavell during World War I. It was also known as Edith Cavell. Subtitled as ‘Britain’s Joan of Arc’, it is considered a Lost Film.
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Britain’s Joan of Arc bravely meets her fate
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Nurse Cavell is a 1916 Australian feature-length film directed by W. J. Lincoln about the execution of Edith Cavell during World War I. It was also known as Edith Cavell. Subtitled as ‘Britain’s Joan of Arc’, it is considered a Lost Film.
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"I gave my life willingly for my country”
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The Matyrdom of Nurse Cavell is a 1916 Australian feature-length film directed by Jack Gavin and Charles Post Mason about the execution of Edith Cavell during World War I. The Matyrdom of Nurse Cavell was viewed as a rival to Nurse Cavell, also produced in 1916, and there was legal action by Jack Gavin’s backers. It is considered a Lost Film.
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Nurse Cavell imprisoned before her execution
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The Martyrdom of Nurse Cavell is a 1916 Australian silent film about the execution of Nurse Edith Cavell during World War I, directed by Jack Gavin and Charles Post Mason. Told in four parts, the film was one of the most popular Australian silent movies ever made. The film is lost with no copies known to have survived.
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"When We March Through Berlin Town"
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When We March Through Berlin Town is a jaunty tune clearly aimed to lift the spirits the troops and encourage men to enlist. The soldier at the centre of the song says farewell to his sweetheart, Jeannie, because the King of England is needing ‘laddies big and broad’. He assures Jeannie that he will wear her sprig of heather in his old Scotch cap when they defeat the Germans and occupy Berlin. The tone of the song is one of supreme optimism.
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“Tell My Daddy to Come Home Again“
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The songs sung by music hall artists during the First World War were often filled with war fever and patriotism. Propaganda messages promoted through song could appeal both emotionally as well as rationally and had the added benefit of being easily remembered and repeated by the average citizen. Tell My Daddy to Come Home Again: The Evening News Lonely Soldiers Song, recorded by Stanely Kirkby in 1915, is one such song, with lyrics written from the perspective of a child lamenting their father who has gone off to war.
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“Brave Women Who Wait”
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For the war effort to be successful, it was not only men who needed to be recruited. The women on the home front also had to show their commitment, so they were also the target of propaganda campaigns. Brave Women Who Wait reminds the general population that while the men may be dying on the battlefields, the women were also making sacrifices at home.
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"All the Boys in Khaki Get the Nice Girls"
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This light-hearted recruitment tune composed in 1915 by Tom Mellor and Harry Gifford was a British wartime hit and claimed a uniform was all it took to attract 'nice' girls
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"Advance, Australia Fair"
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Written by Scottish-born composer Peter Dodds McCormick and first performed in1878, Advance Australia Fair was officially declared the national anthem by the Governor-General, Sir Ninian Stephen, on 19 April 1984. This version is one of the earliest recordings, thought to be made in 1915, when Australian troops were landing in Egypt.
Despite it’s status as the official national anthem, Waltzing Matilda (1895), a more uplifting tune with lyrics by Banjo Paterson telling the story of a criminal stealing a sheep, is still widely regarded as Australia’s ‘unofficial’ national anthem.
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‘Only a Sinner’
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Only a Sinner was written and recorded some years before the First World War. Despite its rather plodding and mournful tune it is easy to imagine that religious hymns like this became popular again once men found themselves confronted by the horrors of modern warfare.
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”The Tanks that Broke the Ranks”
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Written and composed by English music hall writers Harry Castling and Harry Carlton,The Tanks that Broke the Ranks, was a popular music hall song celebrating the first use of tanks on the battlefield. The sheet music was released in December 1916, just three months after the first use of tanks in war by the British, during the Battle of the Somme.
Although both sides regarded the tanks with interest and awe when first deployed, their success was mixed. Of the 49 tanks shipped to the Somme, only nine made it across ‘no man's land’ to the German lines.
The song references many prominent German military leaders of the day, including Kaiser Wilhelm, Alfred von Tirpitz, Paul von Hindenburg and Prince Wilhelm. It was very popular in music halls in 1917. This recording was sung by internationally acclaimed Australian performer and recording artist Peter Dawson under the pseudonym ‘Will Strong,’ which he used for music hall recordings.
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Dunedin’s movie-maker: Henry Gore and his staff
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This photograph shows Henry Gore, a prolific Dunedin-based maker of topical (ie. current affairs) films, with the staff of the Plaza Cinema c.1918. Gore was then one of the first New Zealanders with overseas film-making experience, since he had travelled to Hollywood two years earlier.
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He waiata mā te hoia kāinga ngākau koingō
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I Runga o ngā Puke (From the Top of the Hills) is a waiata Māori written by Paraire Tomoana. He composed it at the request of a cousin, Ngahiwi Petiha, who wrote to Paraire while recuperating from a gunshot wound in an English hospital.
Paraire’s son, Taanga Tomoana, explains the story behind the lyrics and sings the waiata himself, in this radio interview in 1970.
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A matter of principle
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Duncan McCormack was a working-class socialist. At the outbreak of World War I, he determined that he would not participate in what he later called a “fight to redistribute the spoils of colonialism.” When conscription was introduced, he ignored his call-up papers and was eventually arrested by the military police. Here he describes the cycle of military camp, court martial, prison and hard labour which conscientious objectors were subjected to for the remaining duration of the war and beyond. As his second prison sentence was for two years, he was kept in prison even after the war ended.
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Pacifism on the home front
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In this excerpt, Millicent Baxter recalls her conversion to pacifism during World War I as a result of reading a letter written by her future husband, the pacifist objector Archibald Baxter. Millicent had not then met Archibald, but the letter to his parents, published in the newspaper Truth, moved her to investigate his pacifist viewpoint. In the face of popular patriotism, she adopted those views for herself.
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Starting the New Zealand RSA
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Many men who had been invalided back to New Zealand after the Gallipoli campaign found adjusting to civilian life difficult. Those without family support found themselves with little income and in some cases were virtually homeless once they were discharged from the Army. It was not long before a group formed to improve the lot of returned serviceman. In this recording from 1966, radio broadcaster Neville Webber interviews two World War I veterans, Gilbert Lawrence and Ernie Golding, who helped form the Returned Soldiers’ Association (RSA) in Wellington in early 1916.
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In the Bull Ring at Sling Camp
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Sling Camp on the Salisbury Plains of England was home to four or five thousand New Zealand soldiers at any one time, from 1916 until after the end of the war. It was staffed by New Zealand officers, with the exception of physical instructors whose job it was to get the ‘colonials’ into fighting shape. These men were veteran sergeant-majors of the regular British Army and their territory was the training ground known as ‘The Bull Ring.’ In a 1964 radio interview, Jack Archibald of Nelson recalled the grim conditions he faced there in the harsh winter of 1917.
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Singing about Niuean soldiers who volunteered
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The song ‘Lologo tau kautau Niue ne oatu he Felakutau Fakamua he Lalolagi’ was sung by the men from the Pacific island of Niue who volunteered to join New Zealand’s Māori Contingent in 1916. They served in France alongside Maori troops in the newly formed Pioneer Battalion, and suffered greatly from conditions colder than they had ever imagined.
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A New Zealander at the Battle of Jutland
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On 31 May 1916, Lieutenant Alexander Boyle from South Canterbury was in charge of a gun turret and two 12-inch guns on the HMS New Zealand during the Battle of Jutland, the greatest naval clash of the First World War. In this excerpt from a 1959 radio talk, he recalls seeing the British battlecruisers Indefatigable and Queen Mary destroyed with a large loss of life. Lt. Boyle also remembers his crew’s faith in a Māori mat [piupiu] and tiki given to their captain when HMS New Zealand visited New Zealand just before the war.
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‘Great soldiers, good fellows’
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The Victoria College Officers’ Training Corps was formed in Wellington in 1910. It was established partly by the need to train a new generation of officers to lead and fight in the New Zealand militia. Charles Treadwell was an original member of the Corps and in this talk he recalls its founding, the different forms that their training took, and the men he served with.
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Marking the first Anzac Day in London
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In April 1916, a year after the Anzac landings at Gallipoli, the first anniversary of the battle was observed in Australia, New Zealand and Britain. A grand memorial service was held at Westminster Abbey in London, attended by King George V and Queen Mary. Hundreds of New Zealand and Australian military personnel marched through the streets to the Abbey to attend the service.
Among them was Sydney-born Dr Agnes Bennett, who had been working in Egyptian hospitals treating the wounded from Gallipoli. Some 40 years later she recalled the experience in this excerpt from a radio ‘talk.’
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“The horrible smell of burnt flesh”
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Wellington-born William Fell was a 19-year-old midshipman on board the Royal Navy battleship HMS Warspite in 1916. He took part in the Battle of Jutland, the largest naval battle of the First World War. The Warspite was hit several times and 14 of her crew were killed.
In a 1961 radio programme, ‘First War Sailor’, Captain Fell (as he later became) vividly recounts his experience. He was a 'snotty', as the teenaged junior midshipmen were called in Navy slang, and his position at the transmitting station meant he was locked in the bowels of the ship as the battle raged above.
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The declaration of war
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Ena Ryan was born in the upper-middle class Wellington suburb of Kelburn in 1908. In this interview she recalls going with her mother to hear the declaration of war being read outside Parliament buildings on 5 August 1914 – and the ensuing patriotic fervour which swept the country.
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Surgeon-General Charles Ryan, ANZAC Cove, 1915
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Surgeon-General Charles S. Ryan is shown in a casual pose outside the aide-de-camp’s dugout at Anzac Cove, May 1915.
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The Pioneers - Graveyard scene
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The lost 1916 Australian silent movie The Pioneers is known only from contemporary descriptions and a few stills such as this one, probably from the closing scenes of the film. It shows Deirdre, played by Alma Rock Phillips, and a boy contemplating the graves of pioneers Donald and Mary Cameron.
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‘It's a Long Way to Tipperary’
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In this animated film, a British soldier dodges bullets and explosions. He grits his teeth as he thinks, ‘It’s a Long Way to Tipperary’. If you want to sing along, as cinema audiences did when it was presented, the lyrics are right there on the screen.
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The Pioneers - In the bush
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Well-known actors, elaborate sets and a sizeable budget were assembled to make The Pioneers. This 1916 silent movie, set in the 19th century, follows the lives of a pioneering family and two escaped convicts. The film is considered lost and is known only from contemporary descriptions and a few stills such as this one. It probably shows the pioneering couple Mary and Dan Cameron, cutting timber in the bush.
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Tamworth celebrates the 8-hour day and war efforts
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Rain poured and cold winds blustered, but that didn’t dampen Tamworth’s annual 8 hour day festivities and patriotic parade on 23 October 1916.
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"Shine, Sir?" Kiwi Boot Polish advertisment
Video
In this groundbreaking early cinema ad, Boot Room staff at London’s Imperial Hotel depart to join the Army, leaving the hotel short-staffed. Two boys offer to tackle the guests’ footwear. Thanks to the Kiwi Polish bought for them by a kind Australian soldier, they polish and buff their way into employment.
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Mutiny of the Bounty: Daybill
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The daybill, or poster, for the first known cinematic dramatisation of the story Mutiny of the Bounty, directed by Raymond Longford (1916).
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Seven Keys to Baldpate
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In Seven Keys to Baldpate, a silent film based on a stage farce, a struggling novelist undertakes to write a novel during 24 hours in the Baldpate Inn. He thinks he has the only key but a succession of strangers arrives.
Australian impresario J.C. Williamson had already produced several war-themed films when he turned to filming plays such as this ‘mystery farce’, his final film. The war films, with outdoor scenes and dramatic action, were apparently more successful than these filmed theatre productions with their quivering canvas sets. Ironically, being less popular may have protected them from being destroyed through repeated projection.
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Charlie Chaplin at the Sydney Show?
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Was Charlie Chaplin at Sydney’s 1916 Royal Easter Show? Yes, but not the real Charlie Chaplin. Just one of thousands of impersonators, as Chaplin’s worldwide fame grew.
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"The most valuable shipment of films"
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The arrival of a shipment of US films in Sydney in 1916 confirmed that Hollywood had won Australian hearts. But some commentators were already concerned about the impact on Australian film production. On 16 March 1916, ‘Kinema’ of the Melbourne Argus asked, “Why should Australia be mainly dependent upon other countries” for its motion pictures? The article explored costs and marketplace realities that forced the closure of Australian film-producing companies, “one after the other”. In a conclusion that resonates even today, Kinema says, “whilst the successful Australian productions can be counted upon the fingers of the two hands, the number of those which have entailed serious financial loss is unfortunately considerable.”
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Officer 666
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This two-minute clip is taken from the Australian-made 1916 silent comedy Officer 666, based on a Broadway play. The director, Fred Niblo, also stars as millionaire Travers Gladwin. To foil an art theft, Gladwin disguises himself as Police Officer 666. However, one of the thieves arrives disguised as Gladwin, and merry confusion ensues.
As war raged across Europe, and Hollywood began building cinema audiences internationally, the Australian film industry was thriving. An impressive 16 feature films were released in 1916. Officer 666 was one of four features released by theatrical company J.C. Williamson. Williamson aimed to film hit US plays before the American companies, and then import them into Australia.
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Percy’s First Holiday
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W.S. Percy was a favourite Australian comic opera star. This film clip shows the crowd outside Sydney’s Crystal Palace cinema for a special matinee screening of his first film, Percy’s First Holiday.
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Neptune’s Daughter
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In Neptune’s Daughter, an “eight-reel spectacular pictorial triumph” made by Hollywood's Universal Studio, Australian celebrity Annette Kellerman plays a mermaid who swears vengeance on the fisherman who trapped and killed her little sister in their nets. Transforming into a human, she seeks the King with the intention of killing him as his laws were responsible for the death. After being discovered, Annette makes her escape and is thrown back into the sea where she realises that she is in love with the King.
Kellerman was internationally famous for long-distance swimming and became a life-long advocate for women’s fitness. It was claimed she had the exact physical measurements of the Venus de Milo statue. Neptune’s Daughter showcases Kellerman’s aquatic skills as well as her “perfect” figure, which was shown, “in the nude—beautifully, chastely in the nude”, as Australian Theatre Magazine commented. She also pioneered changes to female swimwear, even though her close-fitting athletic bathing suit provoked a 1907 arrest for indecency in Boston, USA.
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The first ‘War Year’ Melbourne Cup - 1915
Video
The Great War did not succeed in killing interest in horseracing in Australia. The 1915 Melbourne Cup was filmed and screened less than 24 hours after the race.
Since 1896 the Melbourne Cup was filmed annually and screened shortly afterwards. In 1915 the tradition continued with the filming of the same scenes Marius Sestier had originally filmed in 1896. This Australasian Films newsreel reveals how far filmmaking had come in just those nine years. Camera techniques had become more dynamic and creative, and the film industry was a crucial element in the circulation of news.
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12,000 Aussies send their love to ‘Little Mary’
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Canadian-American silent film star Mary Pickford was one of the world’s most popular movie stars during the First World War. In 1914 12,000 Australian fans signed an autograph book for her and contributed to a presentation silver cup. This film clip shows her reacting with bashful charm as she receives these tributes while filming in Hollywood.
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Leaving Gallipoli
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From 18 to 20 December 1915, the Allies retreated from the Gallipoli peninsula. In the days beforehand, rumours of their impending departure produced mixed feelings in the men. After months of the hardships of war, they were reluctant to leave the resting place of their fallen pals. Had it all been in vain? In this compilation, three veterans remember the evacuation of Gallipoli.
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"The toughest part of the war was lack of sleep"
Audio
Coupled with the lack of shelter or water and a very poor diet, Australian and New Zealand soldiers on Gallipoli found the lack of sleep almost impossible to get used to. The cramped conditions, noise, heat and flies made a good night’s rest a rare luxury. Men often fell asleep where they were sitting – or standing, as New Zealand veteran Jerry Duffel recalls in this radio interview recorded in the 1960s.
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Diggers in the tunnels of Quinn’s Post
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The underground war at Gallipoli was fought from May 1915 right up until the evacuation in December that year. Because the two opposing sides were often only a few yards apart, parties of engineers from Australia and New Zealand could dig through the soil to lay explosives underneath enemy trenches. At the same time, Turkish tunnellers were doing exactly the same thing, sometimes with only a few metres of earth between them.
The men who organised the tunnelling were engineers (sometimes also called sappers). They were responsible for all the infrastructure needed to wage a war: from tunnels and trenches to buildings, roads and jetties. In this excerpt from a 1959 radio documentary, Captain Ernest Harston, who was adjutant of the Wellington Infantry Regiment, and Jim Meek, a corporal with the New Zealand Engineers at Quinn’s Post, recall the tunnels, the former miners who worked in them, and the many tasks the engineers had to carry out.
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Battle in the Blizzard
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In late 1915, towards the end of the Gallipoli campaign, a fierce snowstorm struck the peninsula. Allied soldiers fought the Turkish army while enduring rain, sleet and snow which caused severe frostbite and froze the trenches. In these radio interviews, three New Zealand veterans recall the living conditions and their experiences in the blizzard.
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Maggots and brandy – evacuating wounded men
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Facilities for evacuating and treating men wounded on Gallipoli were woefully inadequate. The British military command had not anticipated such large numbers of casualties, who often waited for days unattended on the narrow beach before they could be transported by ship to a hospital. Alexander McLachlan, a Scots officer on board the transport ship Saturnia, recalls in this 1969 interview how he and his colleagues were unable to cope with the vast numbers of sick and wounded.
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“We left a lot of booby traps behind…”
Audio
From 18 to 20 December 1915, the Allies retreated from the Gallipoli peninsula. The evacuations were carried out quietly, overnight, so the Turkish troops would not suspect that their foes were leaving. Here, two veterans recall stealthily sneaking away in the dead of night, leaving booby traps behind. The first speaker is Sergeant Walter Cobb, a machine gunner with the Wellington Mounted Rifles. The second is Captain Ray Curtis of the machine gun section of the Canterbury Infantry Battalion.
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Gallipoli’s wounded return to Wellington
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On 15 July 1915 the transport ship Willochra brought the first group of men wounded in the Gallipoli campaign back to a civic reception in Wellington. Seeing the bandaged and traumatised men paraded in the city’s Town Hall made a big impact on young Max Riske, who was taken to the reception by his mother. Sixty years later, he vividly recalled how the experience changed opinions about the war for him and many other Wellingtonians.
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The walking wounded return home
Video
New Zealand soldiers board a ship. It may be a hospital ship returning them to New Zealand, as some of the men are visibly wounded, using crutches and walking sticks. A civilian woman can be seen in the opening frames, indicating that this scene may have been shot in England.
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‘Sons of Australia’
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'Sons of Australia' was composed by Felix McGlennon in 1900, during Australia’s participation in the Second Boer War. It became popular again during the First World War, and this version was recorded in 1915.
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‘They Were There! There! There!’
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The lyrics of the song ‘They Were There! There! There!’ were written by Private Harley Cohen shortly after his return from Gallipoli in September 1915. He was still recovering from wounds sustained during the Battle of Lone Pine.
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Trentham Military Training Camp
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This film shows a panoramic view of Trentham Military Training Camp, north of Wellington. In the foreground, groups of men can be seen practising drills. Behind them is the camp; a few permanent structures surrounded by rows of characteristic cone-shaped tents. Trentham was where many soldiers of the Main Body completed their brief training.
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‘Only One of the Toys’
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The dismal lyrics of ‘Only One of the Toys’ suggest that the soldier in question is merely a toy with no authority. He eventually dies on the battlefield, fulfilling the destiny he predicted to his son before leaving for war. Despite its gloomy subject, this 1914 song was surprisingly popular in its day.
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‘Heroes of the Dardanelles’
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The Gallipoli campaign inspired a number of patriotic songs like this one, that helped to build the Anzac legend back home and give Australia an independent identity from Britain.
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Māori and Pacific Islanders march to war
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On Saturday 5 February 1916, the 3rd Māori Contingent of Reinforcements and others made their way from Parliament along Lambton Quay to their departure point at Wellington’s waterfront. Members of the Māori Contingent are easily identified by their uniform of pith helmet, shorts, putties (a long strip of cloth around the lower leg) and lack of ammunition pouches, which distinguished them from the ‘lemon squeezer’ hat and full uniform of the other troops. The idea of engaging in a battle in foreign lands so far from home must have raised excitement as well as doubt as the Māori Contingent headed for the challenge and conflict of World War One.
Troops from several South Pacific countries formed part of the 3rd Maori Contingent. Among them was Sergeant-Major Uea of Lalofetau, Niue. He had helped to encourage support for the war effort and was the oldest of the Niuean volunteers who sailed that day.
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New Zealand soldiers recover from battle wounds
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After being wounded in battle, many Anzac soldiers were shipped to England to recover. Once their injuries healed, they were sent to convalescent camps around the country to restore them to fighting fitness. This short film shows New Zealanders at a convalescent camp taking part in training exercises to improve their fitness. As the film shows, training was not all hard work, and they certainly had some fun at the camps.
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Training at Trentham
Video
The New Zealand Expeditionary Force (NZEF) required fit, young, trained solders, both to prepare them for the realities of marching and fighting on the Western Front, but also to reinforce those who met their deaths there. Many men who were trained during the First World War had already received compulsory drilling during junior cadet training at school. The Trentham Military Camp in the Hutt Valley was opened in 1915 to accommodate and train newly recruited soldiers before they were sent to Europe, where their training would continue.
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Ex-pat Kiwis march in the London Lord Mayor’s Show
Video
In November 1914 the annual London Lord Mayor’s Show took on a very military flavour, with thousands of troops from Britain and her allies marching through the streets. They included a group of 150 New Zealanders, part of a contingent of 200 who were living in Britain when war was declared.
As this tiny fragment of film from 1914 shows, the New Zealanders were still wearing the ‘slouch’ hat with the upturned brim which New Zealanders had worn in the South African War. Later in the war this would be replaced by the peaked ‘lemon squeezer’.
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Soldiers swim at Gallipoli
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This hand-coloured glass slide shows men swimming in or lying beside the water at ANZAC Cove, beneath Plugge’s Hill (in background).
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Brother Turk Thankful
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Harry Julius’s clever animated comment on the fighting spirit of Australian forces against the Turkish enemy.
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Even Major-Generals die in battle
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The sombre 1915 funeral procession of Major-General Sir William Bridges, killed in action at the Dardenelles. Filmed in Melbourne after Bridges’ body arrived home months after his death.
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Lieutenant General Birdwood takes a dip
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Lieutenant General Sir William Birdwood, a senior officer in Britain’s pre-1914 Indian Army, was appointed in December 1914 to command the ANZAC forces. Birdwood has been described as the ‘Soul of Anzac’. His Corps headquarters was located in the hills just behind Anzac Cove, Gallipoli, and was open to Turkish shelling. On most days, he could also be observed swimming off the beach, sharing the dangers of Turkish shelling with everyone else.
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Nurses remember the sinking of the Marquette
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Three New Zealand nurses - Elizabeth Young, Mary Gould and Jeanne Peek (née Sinclair) - recount their experiences of the sinking of the troopship S.S. Marquette on 23 October 1915. The nurses were part of the New Zealand No. 1 Stationary Hospital unit, which was sailing on the troop transport from Alexandria, Egypt, to Salonika (Thessaloniki) in Greece, when their ship was struck by a torpedo from a German U-boat.
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Who was to blame for the sinking of the Marquette?
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Thirty-two New Zealand medical staff, including ten nurses, were killed when the troop transport ship SS Marquette was sunk by a torpedo from a German U-boat on 23 October 1915. The Marquette was en route from Alexandria to Salonika, carrying troops of the British 29th Division Ammunition Column, Royal Field Artillery, along with their equipment and animals. The medical personnel, equipment and stores of the New Zealand No. 1 Stationary Hospital were also on board. Questions were later asked about why a hospital unit was travelling with an ammunition column, which made the ship a legitimate military target.
In this 1965 recording two survivors, Herbert Hyde and Alexander Prentice of the New Zealand Medical Corps, recall the shipwreck and their impressions of why the disaster happened.
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Machine gunners at Chunuk Bair
Audio
Leonard Leary was an ammunition handler with a Wellington Infantry Battalion machine gun team, and was wounded at Chunk Bair. The outdated Maxim machine guns used by New Zealand troops on Gallipoli were operated by a team of six men. These teams had to carry their guns up to vantage points and assemble them there in the heat of battle.
Listen to Leonard Leary reading from his memoir about the battle of Chunuk Bair.
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Wounded at Chunuk Bair
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The battle for Chunuk Bair was one of the bloodiest of the Gallipoli campaign for the New Zealand Expeditionary Force. Robert (“Bob”) Alexander Needs of the Otago Infantry Battalion, describes his experiences of the battle up Rhododendron Ridge, and the chaotic aftermath for the wounded.
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“All my mates ever got were wooden crosses”
Video
Corporal Cyril Bassett was the only New Zealander to be awarded a Victoria Cross for the Gallipoli campaign. In this 1916 film clip he is congratulated by fellow Kiwi soldiers shortly after being presented with his medal. His modesty can be seen in his bearing – while smiling and shaking hands jovially, he still appears reserved. Throughout his life, Bassett had mixed feelings about his VC. “All my mates ever got,” he said, “were wooden crosses.”
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“Every one of those lads was lying dead”
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Dunedin-born Charles Duke was working in Australia as a journalist when World War I broke out. He signed up with the Australian Imperial Force, sailing with the 4th Battalion. By early August 1915 he had twice been wounded and evacuated from Gallipoli. Yet he returned to his unit and found himself caught up in the bloody offensive which came to be known the Battle of Lone Pine.
Duke wrote a detailed account of his war, and in this 1969 radio programme he gives a vivid description of hand-to-hand fighting in the trenches at Lone Pine.
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Getting the message through at Chunuk Bair
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Lance Corporal Cyril Bassett, an Auckland bank clerk serving as a signaller in the Auckland Infantry Battalion, won New Zealand’s only Victoria Cross on Gallipoli. It was awarded not for fighting but for his bravery in repeatedly going out under fire to repair telephone lines which carried the vital signals from HQ to the men fighting in the front lines.
In the Battle of Chunuk Bair in early August 1915, Bsssett and several other signallers, including his good mate Cecil Whitaker, repaired lines again and again while men fell and died around them. As Cyril recalls in this 1959 interview, one bullet shot out the pocket of his tunic and another grazed his collar, but he was otherwise unharmed. His friend Cecil was not so lucky and was badly wounded, dying a few days later.
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A narrow escape at Lone Pine
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This eyewitness account by a Gallipoli veteran describes how Australian officer Major Leslie Morshead was almost killed by a Turkish ‘broomstick’ bomb in the trenches at Lone Pine in early August 1915.
Morshead later became one of Australia’s best-known military leaders in the Second World War. As Lieutenant-General Sir Leslie Morshead he led the Australian 9th Division through North Africa, becoming known as the ‘defender of Tobruk’, and then went on to fight in New Guinea and Borneo.
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HMS New Zealand anchored at Dunedin
Video
In 1913 the brand-new HMS New Zealand steamed around the North and South islands, docking at every harbour or anchoring offshore to receive visitors. The citizens of Dunedin were disappointed that the ship was obliged to anchor in the lower harbour, due to concerns over the depth of the inner harbour and a lack of suitable docking facilities. Nevertheless, boatloads of people made their way out for tours, as did the prolific local film-maker Henry Gore. This film, taken for exhibition in a local cinema, shows the New Zealand from the water, the forward 12-inch guns and the ship’s coat of arms. Look out for a glimpse of a man operating the ship’s flashlight. He wears a civilian suit and so is not a regular sailor, but perhaps one of Gore’s assistants taking a rare leading role.
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HMS New Zealand arrives in Auckland
Video
When HMS New Zealand visited the City of Sails in late April 1913, tens of thousands of Aucklanders turned out to welcome her both on land and, as this film shows, at sea.
The film captures the size of the battleship as it steamed into Rangitoto Channel towards the port. The New Zealand Herald newspaper memorably described its “three massive funnels, then all the huge grey bulk of battle-cruiser... sullenly majestic, awful in portent, relentless as death itself.” Waitemata Harbour is shown packed with at least 200 spectator craft full of curious men and women and laden in bunting: “… ferry-boats and steamers crowded on their sterns, intrepid men and boys lugged at the oars of tiny dinghies and rowing boats, rowers in outriggers joined in the procession until so great was the traffic of the bewildering array of craft that the water was churned into white-crested waves and the smaller craft were tossed about like so many corks.”
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War Fever
Audio
At the outbreak of the war, a commonly expressed concern was the need to enlist quickly in case the fighting ended before New Zealand forces could take part in what was widely imagined to be a great adventure. On August 8 1914, just four days after war was declared, the Evening Post newspaper reported that nearly 600 men in Wellington City had already volunteered for war service. George Davies was a schoolboy growing up in the working class Wellington suburb of Newtown. He recalls the enthusiasm to enlist among the men he knew.
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Schoolgirl life and love during the war
Audio
There was a sharp divide between rich and poor in New Zealand at the time of the First World War. Marjorie Lees, the daughter of an upper-class Wellington family, was attending boarding school in 1914. Young women of her social status faced a restricted life, with very few options apart from marriage once they left school. But like young people from all walks of life, she was soon to experience the heartbreak of war.
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No bayonet needed / E hara te pēneti i mau
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Captain Pirimi Tahiwi of Te Hokowhitu a Tū, the Māori Battalion, describes how he and Captain Roger Dansey led a charge on Sari Bair, Gallipoli in 1915. Te Rauparaha’s famous war cry “Ka Mate, Ka Mate” rang out as they cleared the Turkish trenches. Tahiwi says there was no need to use the bayonet as the Turkish troops fled for their lives.He was wounded in the neck and evacuated to England to convalesce. After an outstanding military career he attended the 50th anniversary of the Gallipoli landings as the sole surviving officer to serve in Te Hokowhitu a Tū, the Māori Pioneer Battalion. Tahiwi laid a mere pounamu, a symbol of both peace and war, on the memorial at Chunuk Bair.
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Good to Go / E pai ana, Ka haere
Video
The Second Māori Contingent is shown parading at Narrow Neck Training Camp in Auckland before leaving for the front on the SS Waitemata on 19 September 1915. According to the waiata “Te Ope Tuatahi”, composed by Apirana Ngata, the recruits of the Second Contingent were drawn mainly from the East Coast tribes of Ngāti Mahaki, Ngāti Hauiti and descendants of Porourangi. Among them was Second Lieutenant Hēnare Mōkena Kōhere of Ngāti Porou. Kōhere died of wounds on 16 September 1916 following the Battle of the Somme. He is mentioned in the sixth verse of “Te Ope Tuatahi” with the phrase: I haere ai Hēnare, I patu ki te pakanga, Ki Para-nihi ra ia. ("Farewell, O Hēnare,Me tō wiwi, and your 'clump of rushes' who fell while fighting in France". The ‘clump of rushes’ is thought to refer to the men under Kohere’s command who died alongside him.)
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E pari ra / The tide surges
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In this sound clip Tānga Tomoana describes how his father Paraire Hēnare Tomoana came to write lyrics for the well known and popular waiata E Pari Rā. He wrote the song in 1918 at the request of his friend Maku-i-te-Rangi Ellison whose son, Whakatomo Ellison, died in the war. Paraire wrote it as a memorial and lament for all fallen soldiers. Speculation is that Tomoana used the tune from a German Waltz, the Blue Eye’s Waltz to base his song on. Many other popular songs were written by Paraire including Pōkarekare ana, Hoea rā te waka nei, Tahi nei taru kino, Hoki hoki tonu mai. These are still performed by New Zealanders to this day. E Pari Rā was adopted by the New Zealand Navy as their official song.
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Haka in the Sand / He Haka He Onepu
Video
The First Māori Contingent are seen in Egypt on 3 April 1915, enthusiastically performing the haka “Te Kāhu Pōkere” which was as popular then as Te Rauparaha’s famous war cry “Kā mate, Ka mate” is today. The Māori Contingent were bound for Malta before moving on to Gallipoli. Their sense of adventure is still apparent in this film as they were yet to face the heat of battle when, as many a soldier has said, “Boys became men at the burst of the first shell around them.” Performing the haka was found to be a good way to unite men under a common purpose. It provided relief from the mundane day to day existence in training camps, and was a form of entertainment for the Contingent and other troops, as well as a morale booster.
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From Queen Street to the front
Video
Although the details are uncertain, this brief film clip shows the Auckland Mounted Rifles Regiment marching down Queen Street on 22 September 1914, after a civic farewell at the Auckland Domain. The New Zealand Herald newspaper reported that “[f]lags were waved, and lusty cheers were given as the troops passed”. These scenes were later included in the 1928 Australian film The Exploits of the Emden. The original footage, like much film from that era, is now long lost.
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King George V inspects HMS New Zealand
Video
The battleship HMS New Zealand was a gift to Britain’s navy from the people of New Zealand. The day before the ship departed on a tour of the colonies, it was visited by King George V, an old sailor himself. The King was particularly interested in the 12-inch guns, and navigation equipment. The Dominion newspaper reported that “His Majesty was greatly amused at the decorations of the gun-room, which… somewhat resembled a lady's boudoir [bedroom]." (7 February 1913, p.5). New Zealand-born officers on the ship were introduced to the King and he met the ship's mascot, Pelorus Jack, a bulldog puppy who can be briefly seen in this clip.
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Dust in our ears, eyes, mouth, nose and everywhere
Video
In late 1914 the New Zealand and Australian forces were diverted from their original destination of England to Egypt. There they combined to form the ANZAC Corps that would eventually fight in the Gallipoli campaign. This film shows an activity that became a routine part of soldiers’ life - the troop inspection.
As well as the blazing Egyptian heat, the ANZAC troops had another menace to contend with – dust. Herbert Hart wrote in his diary “[t]he sand is worked into such fine dust near camp, that it now flies everywhere whenever the troops move over it. We had dust in our ears, eyes, mouth, nose and everywhere, it fell from our puggarees [cloth wrapped around the regulation sun helmets], pouches, pockets, putties [long cloth strips wrapped around the calves] or from all our clothes.”
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The Anzac convoy departs from Albany
Video
The Main Body of the NZ Expeditionary Force steamed off from Wellington on 16 October 1914. The convoy consisted of 10 transport ships and four escorts, carrying 8000 soldiers and nearly 4000 horses. They arrived in Albany on 28 October to join up with 28 Australian Imperial Force troopships. The combined Anzac fleet of 38 troopships and escorts, carrying 30,000 soldiers and 7,500 horses, departed Albany on 1 November.
This film shows soldiers of the Auckland Infantry Battalion ready to embark on Albany Wharf, and the line of grey-painted New Zealand troopships waiting to follow the Australian convoy ships (which retained their civilian colours). This vast fleet took soldiers from Australia and New Zealand halfway around the world to participate in the First World War.
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Wrestling on deck
Video
This film was made during the New Zealand convoy’s 1915 journey from Wellington to Egypt, via Hobart and Colombo. On long voyages like this, an especially popular way for soldiers to spend their free time was watching wrestling bouts. Here the crowd watches intently as two soldiers, possibly former professional wrestlers, come to grips on the deck of the troopship. This appears to be a “worked”, or staged, bout, rather than a genuine contest. Gambling was prohibited on board troopships, but it seems highly likely that money changed hands on this occasion.
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Tea for two, and an unknown soldier
Video
In the war years, home movie-making in New Zealand was a rare event. Intimate scenes like the ones shown in this film are even rarer. We believe that this is Rob Millington, who is pictured having tea at his home in Wellington in 1916, with his fiancée Daisy and their cat. Millington was a camera operator employed by Henry Hayward. Soon after this film was made Millington signed up to serve with the merchant navy as a wireless operator; he was killed in November 1917 when the ship he was serving on, the Aparima, was sunk by a German torpedo. The name of the older soldier shown toward the end of the film is unknown. He may be a relative of the Hayward or Fuller families, who were both prominent NZ cinema-owning families.
This film is an uncommon portrait of an individual soldier at a time when only large bodies of men were usually shown on screen.
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Readying the Samoan Expeditionary Force
Video
When war was declared in August 1914, New Zealand was asked by the British Government to capture German Samoa. A Samoan Expeditionary Force made up of just over 1300 soldiers, mostly from the Wellington region, departed for the Samoan capital, Apia, on 15 August. Little resistance was met when the troops landed a fortnight later, and a New Zealand military administration occupied Samoa over the course of the war.
No footage of the New Zealand occupation of Samoa exists. However, this is footage of the two troopships, S.S. Monowai and S.S. Moeraki, which transported the Samoan Expeditionary Force. While the provenance of this film is unknown, the fact that the transport ships are still in civilian colours, a "2" is evident on the side of one of them (the troopship number), the dress of the sentry and the presence of a 12 pound gun suggests that it shows a glimpse of the preparation on Wellington’s waterfront for New Zealand’s first action during the war.
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A sea of faces say goodbye in Dunedin
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Tahuna Park in Dunedin was the initial training camp for soldiers of the Otago and Southland Section of the Main Body of the NZEF. It was also the site for this civic reception farewelling the men on 16 September 1914. The Otago Daily Times reported that “seldom, if ever, has such a large Dunedin crowd been gathered together at one time." (17 September 1914, p. 2).
The soldiers seem all smiles and expectant faces, and eager to be off to war. The film also gives rare glimpses of how Dunedin people felt as their fathers, husbands, brothers and sons headed off to the front. There is a sense of apprehension amongst this sea of faces, and it was well founded. Many of the troops shown in this film later became casualties of the 1915 Gallipoli Campaign.
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The rush to enlist
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Leonard Leary was a law student at Victoria College (now Victoria University) when war was declared in August 1914. Fiercely patriotic, he was among the men who rushed to sign up to fight at the earliest opportunity. In this extract from a 1982 radio documentary, Leary recalls the heady days when war broke out. He headed down to the Wellington wharves with a group of fellow pro-Empire students to express his support for the war effort, and to enlist in the NZEF.
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Poor old soldiers, both two-legged and four-legged
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Horses were among the unsung heroes of the NZEF during World War One. Ten thousand horses were sent overseas over the course of the war. They were used by mounted troops and officers, and for transporting equipment and artillery. The life of a horse in the army was a tough one. They endured brutal conditions travelling to the front and at the battlefield, and only a handful returned back to New Zealand, as Percy Lowndes recalled in 1969.
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An army marches on its stomach
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Raising the main body of the NZEF was a huge logistical exercise and needed to be done quickly. By early August 1914 the first recruits arrived at training camps established in the four military regions across the country (Auckland, Wellington, Christchurch and Otago-Southland). One of the most important tasks, beside basic training, was housing and feeding the new troops.
Tahuna Park in Dunedin was chosen as the initial training camp for the Otago-Southland region. This rare ‘behind the scenes’ footage shows the work of the tin shed cookhouse set up to feed the 1100 men camped there. The Cook Sergeant, with a bandaged arm, orders around the cookhouse fatigues (work teams). Notice how everyone is puffing away on pipes or cigarettes, adding extra fibre, flavour and aroma to the camp stew!
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Auckland Cup, 1912
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In 1912 Ellerslie was still a young suburb of Auckland, with a population of only around a thousand. It was also the home of the racecourse, and people streamed in from all over the city to watch the Auckland Cup, then New Zealand’s richest horse race. This film shows the Australian horse Bobrikoff taking the 1912 Cup.
With few private cars, and public transport still in its infancy, most of these punters would have arrived by train. Horse-racing was for many years one of the most popular forms of entertainment in New Zealand. The First World War did not interrupt the running of the Auckland Cup, although there would have been significantly fewer men at race meetings during 1914-1918.
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“Jimmys and Nellies”, 1912
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In the years around the First World War the midsummer picnic on the beach was a highlight of the year in the rural North Island district of Taranaki. In January 1912 the picnic was filmed by the region’s own cinema mogul and movie producer, Garnett Saunders. A week later, scenes of the pillow fights on the beam, barrel rolling and tape chewing competitions were screened to a capacity audience at Saunders’ New Theatre in New Plymouth. The local newspaper reported, “parents joyfully recognising their own particular 'Jimmys' and 'Nellies', and some groups of merrymakers gave vent to their feelings in little suppressed exclamations of satisfaction".
A year after the war ended, the picnic was held again. The games and competitions were the same, but there would have been a distinct decrease in the number of men present.
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Fashion on the field, 1912
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“To-day is Taranaki Cup day – the sportsman’s day in Taranaki – and from near and far worshippers at the shrine of Pegasus will do pilgrimage to the local racecourse to lay their offerings on the altar of sport.” (Taranaki Daily News, 14 February 1912)
By 1912 signs of militarism in New Zealand - like compulsory military training, and the commissioning of the battleship HMS New Zealand - were increasing. In the rural province of Taranaki, however, the threat of war seemed a million miles away as crowds assembled for the Taranaki Cup horse race. They are seen here dressed in their finest, parading on the lawn, meeting and greeting, seeing and being seen. These scenes were quickly processed and screened at the local Empire Picture Palace, “the home of intellectual refinement”, the very next day.
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The last month I was there, I never wore trousers
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The Anzac troops on Gallipoli faced many discomforts in addition to the Turkish soldiers shooting at them from over the hill. They lacked food and drinking water, suffered from sicknesses like dysentery and typhoid, and were surrounded by bodies decomposing in the heat. Life on the peninsula was all about survival, and it changed the men’s priorities. Here two New Zealand veterans talk about the highs and lows, including eating a dead sheep they found, squabbling over fresh bread and being evacuated due to dysentery.
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"War is lunacy": The burial armistice
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On 24 May 1915, both sides on Gallipoli agreed to a temporary armistice (ceasefire) to bury the dead, who were literally piling up between the trenches. This event was perhaps not as friendly as the famous Christmas Truce of 1914 in France, but nevertheless the men were thankful for a chance to bury the decomposing bodies. Here, three New Zealand veterans of Gallipoli, Walter Cobb, Mr Fraser and Mr Davidson, recall their experience of the armistice. Their accounts differ in their reporting of fraternisation (making friends) with the enemy Turks. This may be due to their different ranks (Cobb was a sergeant) or to the attitudes of their commanders.
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“What about a drop of water, Digger?”
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Water shortages were a constant problem for the thousands of men based at Gallipoli in 1915. Natural water was scarce on the peninsula and attempts to solve the problem by using water condenser units to convert sea water for drinking proved inadequate. Water supplies, often from as far away as Egypt, had to be brought in by boat and landed on the beach, sometimes under fire. Then the various containers had to be dragged over the rugged landscape to the thirsty men in their trenches.
The unidentified New Zealand veteran in this interview recalls how the mateship between Kiwis and Australians meant they sometimes gave each other preferential treatment with water rations.
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The Daisy Patch
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Joseph Gasparich was a gumdigger and school teacher before he joined the Auckland Infantry Battalion. In May 1915 he was serving with the combined Australian and New Zealand forces at Anzac Cove in Gallipoli. General Sir Ian Hamilton decided to try and break through to the south of the Gallipoli peninsula, and New Zealand and Australian infantrymen were sent to Cape Helles by ferry. On 8 May the New Zealanders launched a series of attacks across an open field of poppies and daisies. In 1968 Joe Gasparich recorded his memories of the unsuccessful attacks in the Daisy Patch. “It was absolute murder – or suicide, whichever way you like to look at it.”
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Seasick men and horses
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Twenty-three-year-old Auckland telegraphist (signaller) Cyril Bassett sailed for the war in October 1914 with the Main Body of the New Zealand Expeditionary Force. Cyril was on board the battleship Waimana, with the rank of orderly corporal. In this 1976 interview, he recalls that during the long sea voyage. his job was to clean up after seasick men and horses. However, in August 1915 Bassett won the Victoria Cross, the highest award for bravery in the Allied forces, for maintaining communication lines under fire during the Battle of Chunuk Bair.
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Penny trails and white feathers
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During WW1, those at home were encouraged to support the men at the front by donating money or goods to the war effort. Colin Franklin-Browne recalls watching fundraising parades and penny trails (lines of coins which the public were encouraged to add to) on Wellington’s streets in 1914-15. He also remembers the dark side of this patriotic fervor. Women’s patriotic groups sent white feathers, symbols of cowardice, to men who had not enlisted. The women targeted pacifists, men not yet in uniform and even those unable to enlist for medical reasons.
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The First Anzac at Gallipoli
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Britain’s Royal Navy was in charge of landing the first Australians and New Zealanders at Gallipoli on April 25 1915. From their troop transport ships, the men were loaded into smaller boats which were towed as close to the beach as possible. The steam-powered ‘picket’ boats which towed them were commanded by teenage Navy midshipmen like 15-year-old Eric Bush, who was responsible for getting about 200 Anzacs ashore. Among the first Australians to land was Private James Bostock, who recalls how he jumped overboard and waded onto the beach at what would soon be known as Anzac Cove. Both men were recorded in 1955 for a BBC radio documentary marking the 40th anniversary of the landings.
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Australia’s submarine at Gallipoli
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In the early hours of 25 April 1915, Royal Australian Navy submarine the AE2 sailed up the narrow Dardanelles strait to disrupt Turkish supply ships. She faced strong currents, Turkish gun batteries on shore, and mines that had sunk two earlier submarines. Yet the AE2, commanded by Irish Lt. Commander Henry Stoker, successfully passed through the Narrows into the Sea of Marmara, making several attacks on Turkish shipping before she was hit by a torpedo boat. Stoker ordered his crew to evacuate and scuttled the vessel. He and his crew were taken prisoner for the rest of the war, and several died of illness in captivity. Forty years later, Henry Stoker recalled the nerve-wracking voyage.
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Teenage soldiers and a boat full of blood
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Seventeen-year-old Daniel Patrick (Pat) Lloyd of Christchurch was among the New Zealanders who landed at Gallipoli on April 25 1915. He witnessed the carnage when the boatloads of men came under heavy machine-gun fire as they came ashore. Pat survived and went on to serve in France where he won a Distinguished Conduct Medal for ‘gallantry in the field’. Fifty years later he took part in an anniversary ‘pilgrimage’ by New Zealand veterans, who returned to Gallipoli to retrace their footsteps and visit graves and memorials to fallen comrades.
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Mrs Barnard’s gingernuts
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Six of Helena Barnard’s eight sons went away to fight, and she sent them care packages that included the gingernut biscuits she used to bake for them to take on tramping trips. The gingernuts were a welcome change from the notorious Gallipoli diet of tinned bully beef and ship’s biscuits. They lasted well and quickly became favourites with the boys at the front. Many wrote to Mrs Barnard asking her to provide their own mums with her recipe. Her gingernuts became famous and are quite possibly the original ANZAC biscuit. This interview was recorded around the time of Helena Barnard’s 100th birthday.
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Treating Gallipoli’s wounded – Dr Agnes Bennett
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The Australian-born and New Zealand-based doctor Agnes Bennett refused to let routine sexism keep her out of the war. She offered her services to the New Zealand Army as soon as war broke out but was turned down because she was a woman. Undeterred, she paid her own passage to Europe, intending to join the French Red Cross. In May 1915 she was sailing through the Red Sea when word reached the ship of the casualties arriving in Egypt from the Gallipoli campaign. She disembarked at the next opportunity and began working in the over-stretched military hospitals of Cairo, with the status and pay of an army captain. Dr Bennett recalls her wartime experiences in this recording, made in 1959.
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Swimming with Birdie at Gallipoli
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As the weather warmed up on Gallipoli during the summer of 1915, new problems plagued the Australian and New Zealand forces. The increased heat worsened the men’s thirsts and a huge number of flies swarmed over the battlefield, due to the many unburied corpses and shallowly-dug latrines, or field toilets. A refreshing swim in the Mediterranean was the only relief, as New Zealander Bertie Cooksley recalls.
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Verdun Buns – a Red Cross cookbook
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Ena Ryan was born in the prosperous Wellington suburb of Kelburn in 1908. In this 1985 interview she leafs through a cookbook produced during the war as a fundraiser for the Red Cross. The recipes and advertisements reveal the social upheaval the war brought to communities back home, from florists advertising speedy service for last-minute weddings (before men departed overseas) to recipes for cooking for invalids. Some recipes were contributed by the public, and Ena is appalled that one woman named her recipe ‘Verdun buns’, after the horrifingly destructive 1916 Battle of Verdun.
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A.I.F Parade and Departure
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In the first months after Australia entered the war, the public mood was wildly enthusiastic and patriotic. That mood is evident in this clip, showing cheering crowds gathered to support a military parade as AIF troops depart on the troopship A2 Geelong. The ship can be briefly glimpsed departing at the end of this film.
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Expert rough-riders – Australian Light Horse
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By 1914 Australian horsemen had proved themselves as expert rough-riders and good shots in wartime. Untrained colonial cavalry had distinguished themselves in the Boer War, and Australia had 23 regiments of volunteer cavalry at the outbreak of WW1. Many men from these regiments joined the Light Horse Regiments of the Australian Imperial Force (AIF). Some are seen here in training with their horses, and in a military parade. Troops are also shown departing on the troopship A2 Geelong, farewelled by a huge crowd as the ship leaves the dock.
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Flower power
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It was the most spectacular parade that the South Island town of Nelson had ever seen. Daffodil Week, a fundraising campaign to provide comforts to troops serving overseas, took place in September 1916, and the highlight was the grand parade and crowning of the Flower Queen. The streets were decorated with flags and from early morning children were selling buttonholes (small posies of flowers), while stallholders sold cut flowers, ferns, plants, seedlings, sweets and produce.
In this short film the impact of World War One is evident. The floats and organizations are marshalled by uniformed soldiers, and the streets are lined with members of the local Territorial infantry battalion. The Rt. Rev. William Sadlier, the Bishop of Nelson, can be seen in a frock-coat in the crowd. The annual Flower Queen, elected by popular vote, was Miss Hazel Win. Altogether £780 (or NZ$100,000 today) was raised for Christmas presents for the boys at the front.
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Heroes of Gallipoli
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Heroes of Gallipoli contains the only known filmed scenes of the Allied involvement in the Gallipoli Campaign. It is an edited version of an earlier film, With the Dardanelles Expedition. This is amateur film, shot under the most trying conditions, yet it provides unique footage of Gallipoli and some of the most vivid frontline images of the First World War.
Heroes of Gallipoli was deliberately edited to tell a story of Australian military achievement. However, the film footage also tells a story of British and New Zealand action that the intertitles never mention.
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The fleet's afloat
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Prior to radio, songs were largely heard performed in music halls. People would then visit music shops to purchase the sheet music of tunes they liked. Many homes had a piano, and at least one member of the family knew how to play it, providing a common form of entertainment and socialization. Music shop owners would often employ a pianist to perform during business hours so customers could hear the sheet music played live. If a song was particularly popular, it would then be recorded by professional musicians.
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‘Miss Australasia’
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Miss Australasia is the first segment in this episode of the satirical weekly newsreel Cartoon of the Moment. Harry Julius’s animated cartoon was inspired by news reports that only products made in Australian could be relied upon to be available for sale. The second item satirises Germany’s Crown Prince as he congratulates Turkish leader Enver Pasha on Turkey’s victories over the Allies at Gallipoli. The third item illustrates Colonel Cameron’s statements in support of compulsory national service and the need for more Australian men to enlist in the war.
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Distraction from the war – a day at the beach
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This brief clip from around 1914 is one of few surviving film records of Australian beach scenes from this period. Beachgoers of both sexes are seen strolling along the sand of an unidentified beach in their Sunday best. A small group playing in the shallows is all male since ‘open bathing’ (swimming outdoors) was still considered somewhat improper at this time. A glimpse of a lone skiff indicates that Australians were quick to embrace all aquatic sports, not just swimming.
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New furs from Georges
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While a bitter war raged on the other side of the world, some wealthy Melbourne residents carried on with their lives just as usual. This 1915 newsreel item shows women modelling expensive fur coats, stoles, muffs and hats for Georges Department Store in Collins Street, Melbourne. Georges was a 'favoured spot with most of the smartest people in Melbourne'. The furs shown here would have been beyond the reach of most Melbourne residents at that time. As the war progressed, public condemnation of excessive or wasteful fashion became more prominent in the press.
Originally silent, this footage has had the 1911 song Every Girl is a Fisher Girl added.
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Clowns and kids raise funds for war effort
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Clowns boxing and performing ‘pratfalls’, children singing, dancing and marching in formation – this was the crowd-pleasing entertainment at a Red Cross fundraiser at Bondi Junction, Sydney in 1915. The Australian Red Cross had been formed just a year earlier, at the outbreak of the war. It concentrated on raising funds to support the war effort by organising public events such as the ‘fete’, or festival, seen here. This newsreel clip was originally silent and a popular brass band tune of the period, The Gippsland March, has been added to the soundtrack.
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'When the war is over, mother dear'
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Though your heart is aching, mother dear
For your soldier boy never fear
I’ll come back some day, and kiss your tears away
When the war is over, mother dearIn this somewhat maudlin song, written and recorded in England in 1915, a soldier laments being far away from home and from his mother, and promises to return to her.
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The landing of the Australian troops in Egypt
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This commercial sound recording includes what might be the first recorded version of 'Advance Australia Fair', the song that became Australia's national anthem. In music and drama, this production recreates the 1914 arrival of the Australian troops in Egypt, before their departure for Gallipoli. It may have been aimed at giving those on the home front a sense of the soldiers’ lives. The recording is very celebratory and full of pride at the role Australia was playing in the Great War.
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'If England wants a hand, well, here it is'
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Comes a message o’er the ocean
A message to our sunny land
England calls Australia’s soldiers
We must answer her command
If England wants a hand, well, here it is…The lyrics of this rousing, patriotic ballad were written by one of Australia’s most popular vaudeville (music hall) performers, with music by a noted Sydney songwriter. 'If England Wants a Hand, Well, Here It Is' was used on the soundtrack of the 1981 Australian feature film Gallipoli.
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Boys of the Dardanelles
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Boys of the Dardanelles
They faced the shot and the shells
Down in hist'ry their fame will goThe patriotic ballad ‘ Boys of the Dardanelles ', composed by Australian writer and singer Marsh Little, was particularly effective for encouraging recruitment. This version was performed by the prolific English singer and recording artist Stanley Kirkby.
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Australia will be there
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Of all the patriotic songs of WW1, 'Australia Will Be There' is probably the one best known to Australians. It became the marching song of the Australian Expeditionary Forces and was used to rally the troops as they marched away from home. 'Australia Will Be There' was written in 1915 by Walter ‘Skipper’ Francis. The song quotes from ‘ Auld Lang Syne’ in its chorus and is often given its longer title, 'For Auld Land Syne - Australia Will Be There '.
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Society Wedding, c.1914
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This rare example of amateur or home movie footage provides a glimpse of a society wedding about 1914, probably in an eastern suburb of Sydney. It shows guests arriving by car and horse-drawn vehicles at the church, followed by the wedding party. The bride and groom are seen leaving the church and being showered with rose petals before posing for photographs at the reception.
No record survives of this film’s source, subjects or locale.
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Fundraising for the war effort, Sydney
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Various wartime fundraising and recruitment activities are seen in this film from about 1916, shot from outside the General Post Office in Martin Place, Sydney, after rain. In pavilion-style tent stalls, Red Cross workers sell ribbons, flowers and other produce. The top-hatted Governor of NSW, Sir Gerald Strickland, walks among the crowds. Many AIF troops are shown in this clip, their humour in evidence in a shot of a young male civilian being ‘accosted’ and compelled to enlist, while others pretend to take his measurements for a uniform.
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Sailing into war, 1914
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For many Anzac soldiers, their outward voyage on a troopship was their first overseas experience. The excitement of departure was soon replaced by seasickness on one of the world’s roughest seas. On the long voyage to Egypt they took part in leisure activities and routine training exercises like those shown here. Officers organised physical training programmes, inoculations, lectures and target practice sessions to keep the troops occupied.
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Joining the Flotilla, 1914
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At the outbreak of war in August 1914, dozens of vessels were hastily converted into troopships to transport military units to their destinations overseas. This film shows newly recruited AIF troops boarding troopships at Woolloomooloo (Sydney, NSW) and Port Melbourne (Melbourne, Vic.) Their ships then joined the flotilla at King George Sound (Albany, WA), the final Australian anchorage for the first convoy of almost 30,000 Australian and New Zealand soldiers heading to Egypt.
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Cockatoo Island
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Cockatoo Island in Sydney Harbour had the largest shipping dock of its kind in the world when this film was made there in 1916. It shows the building HMAS Brisbane, and its launch on 30 September 1915. Margaret Fisher, wife of then-Prime Minister Andrew Fisher breaks a bottle of champagne over the ship’s bow before it slides down the slipway into the harbour.
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‘Australia Prepared’- the Royal Australian Navy
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“Since Captain Cook’s arrival, no more memorable event has happened than the advent of the Australian Fleet”, claimed Australian Defence Minister Edward Millen. The Australian Fleet Unit - eight cruisers and destroyers headed by HMAS Australia - assembled in Sydney Harbour for the first time on 4 October 1913. This extract from a 1916 documentary shows that event, plus later scenes of the light cruiser Sydney, probably taken in Albany WA in 1914. Captain Glossop is seen taking command of the Sydney, and RAN sailors board small boats, probably at Man-o-War steps, to go on board her.
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“The Rushin’ Bear and the Flying Turk”
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Australian sketch artist and caricaturist Harry Julius often ridiculed the enemy by using the techniques of political cartoonists. In this episode of his weekly Cartoons of the Moment, ironically captioned The German Dove of Peace, an eagle represents Germany. His second sketch deals provocatively with contemporary fashion trends, while the third refers to the ‘Rushin’ Bear’ and the ‘Flying Turk’ to show the capture of the eastern Turkish city of Erzurum by Russian forces in February 1916.
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The war cameraman
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British journalist Ellis Ashmead-Bartlett, on the right in this clip, was the lead cameraman for the 1915 film ‘With the Dardanelles Expedition’. With no film-making experience, but assisted by official Royal Navy photographer Ernest Brooks, Ashmead-Bartlett filmed British forces at Cape Helles and Anzacs in the area around Anzac Cove. From July to September 1915 he captured some of the most vivid combat footage of the First World War. In 1916 Ashmead-Bartlett gave lectures in the UK and Australia on his wartime experiences. This clip, from the weekly ‘Australian Gazette’ newsreel, shows him with an unidentified companion during his Australian lecture tour.
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Distraction from the war - Coogee Beach
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Scenes of surf, sun and swimming at Coogee Beach, Sydney, played upon the sea as a place of recreation in stark contrast to the suffering at Gallipoli and on the Western Front. This film clip from 1915 shows the local surf lifesaving club practising with a surf reel. The foreshore is teeming with swimmers and sunbathers, as well as a good number of beach visitors dressed to the nines and content to promenade.
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“Play the Greater Game”
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This 1915 Australian Government recruitment film uses slogans such as 'Play the Greater Game' to urge men to join the Australian Imperial Force (AIF). Later propaganda films were less subtle in their efforts, and used persuasion, fear, guilt, confrontation, accusation, or scenes of heroic action on the battlefields to influence eligible men to enlist. The films omitted any reference to the harsh realities of military life or the threat of death or injury for Australian troops abroad.
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Australian artillery on the Salonika Front
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The camera operator is unusually close to the artillery action in this British-made newsreel. It shows an Australian gun crew operating their weapon gun beneath a canvas shelter in the Greek port town of Salonika (now Thessaloniki). Opposing them are Bulgarian forces who, together with Germans, had forced the Serbian Army from the port. This Australian artillery crew seems comparatively relaxed in comparison to the usual grim scenes of battlefront action from this period.
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The turkey, the eagle, the lion and the dove
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'The War Zoo' is the original title of this animated cartoon by the renowned Australian caricaturist Harry Julius. The miserable fez-wearing turkey represents the battered Turkish forces. The ferocious German eagle is approached by the ‘dove of peace’ and the British lion, ‘still the king of all’. Cartoons like this one, screened about 1915, were a direct and light-hearted form of war news and propaganda for the public at home.
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Comforts for the troops
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Throughout the war Federal Government House, the magnificent Melbourne residence of Australia’s Governor-General, was a central depot for Red Cross supplies for Australian troops serving overseas. Medical supplies and clothing, and small luxuries such as soap, tobacco and fruitcakes (known as ‘comforts’) were donated by the women of Victoria and delivered to Government House. Its ballroom became a warehouse and factory where goods were received, made, checked and despatched by volunteers, and the stables were converted into a workshop for making furniture and crutches. This silent film clip shows the first shipment of Red Cross supplies being loaded on to motorised and horse-drawn vehicles and leaving Government House for despatch to Australian soldiers in Egypt.
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Departure of Reinforcements to the Front
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Troops (seen from dock) wave from ship prior to departure. Numerous civilians hold streamers connected with occupants of ship, while other civilians wave handkerchiefs as the ship leaves the wharf. The HMAT A20 Hororata weighed 9,400 tons with an average cruise speed of 14 knots or 25.92 kmph. It was owned by the New Zealand Shipping Co Ltd, London, and leased by the Commonwealth until 11 September 1917.
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A troopship departs for Albany, 1914
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When Australia entered the First World War in support of Britain, ships were urgently needed to transport troops to the distant battlefields. The hastily refitted ships also had to carry the troops’ horses and military stores, plus wool, metals, meat, flour and other foodstuffs, mainly for the armies of Britain and France. This film shows the loading and departure of troops and horses aboard HMAT (His Majesty’s Australian Transport) A20 Hororata from Port Melbourne, Victoria on 18 October 1914. Troops move up the gangplanks of the transport ship while horses are taken up another gangplank. A tug then tows the Hororata out of port and it joins other ships in the convoy to head out to sea.
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The naming of the capital
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Australia’s federal capital was purpose-built from 1909, since neither Sydney nor Melbourne would agree to the other city becoming the capital. The new capital was named ‘Canberra’, apparently from the name of the indigenous people of the area. The capital’s name was kept a secret until it was read out by the Governor-General’s wife, Lady Gertrude Denman.
This film shows the ceremony on 12 March 1913 when the new-born federal capital was formally named. Governor-General Lord Denman and PM Andrew Fisher are seen proceeding to the saluting base where the Australian Light Horse, field battery and lance regiments and Royal Cadets are lined up for inspection. Many of the men in this footage would not return from Gallipoli, the Western Front and other battlefields.
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‘Worst comes to wurst’
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A German soldier’s horse is turned into German sausage (or ‘wurst’) in the first sketch in this weekly episode of Harry Julius’ Cartoons of the Moment. Next, a battered fez-wearing turkey represents the beleaguered Turkish forces. In the third sketch of this clip, Kaiser Wilhelm II – the Crown Prince of Germany – is caricatured with human skulls adorning his uniform to emphasise the enormous loss of life suffered by German troops.
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Sheep dogs & medieval knights, Australian Gazette
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From a sheepdog trial to a costume parade in support of the French Red Cross – the weekly Australian Gazette newsreel captured a slice of Australian life through the war years.
This example from mid-1915 starts with a sheepdog trial at a showground, followed by shots of the British barque Inverness-Shire, dismasted by wild weather off the coast of Tasmania. The third segment (unfortunately damaged by deterioration of the nitrate film) records a parade heading down Collins St in Melbourne in aid of the French Red Cross. The clip ends with the mammoth funeral procession in Sydney for the great Australian batsman Victor Trumper.
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The Lynch Family Bellringers
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The Lynch Family, Harry Lynch and his four sons, toured Australia’s regional areas for several decades with their hand bell-ringing show. Gradually singers, dancers and comedians, including visiting European performers, were incorporated into the show. This poster advertises a 1914 tour featuring the novel attractions of the Glassophone and Aluminum Organ Chimes.
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The exploits of the Emden
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The German battle cruiser Emden opened fire on the Australian cruiser Sydney off the Cocos Islands in the Indian Ocean on November 9, 1914. The Sydney was then escorting the first convoy of Australian and New Zealand troops to the front. With her more powerful guns, the Sydney damaged the German vessel and drove ashore. This naval battle was recorded in a 1928 film, The Exploits of the Emden, based on an earlier German production. These extracts show New Zealand and Australian troops preparing to join the troop convoy in their own countries.
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‘Australia prepared’ – making ammunition
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‘The Amazing Micrometer’, a machine measuring to one 40,000th of an inch, is one star of this 1916 film, made at Australia’s Colonial Ammunition Company. Many of the factory’s workers are women, symbolising a community united in the war effort and highlighting women’s vital contributions on the home front. They are seen making .303 cartridges, packing them in cases, and filling a soldier’s bandolier (ammunition belt). This is an extract from an hour-long documentary showing how Australia ‘made and equipped the expeditionary forces’ to contribute to the Allied cause during the Great War.
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Dogs of war - the ‘Aucklands’ on parade
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After six weeks in training camp, the Auckland section of the Main Body of the NZEF was reviewed by Minister of Defence James Allen at Auckland’s Alexandra Park on 19 September 1914. This film shows the men of the Auckland Infantry Regiment, the Mounted Rifles, the Motorcycle Corps and and the Field Ambulance, in full battle equipment. Watch out for the dogs who also take starring roles, running in and out of shot. Films of this period often show dogs accompanying New Zealand troops, both at home and overseas.
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Turning boys into soldiers
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Compulsory military training was established in New Zealand in 1909, and by 1912 all boys aged 14 and over were required to undertake military drills as Senior Cadets. From the age of 18 to 21 they were required to serve in the Territorial Forces. In the process boys were turned into soldiers, since the Territorials formed the recruiting basis of the NZ Expeditionary Force.
This film shows just how young this element of the Expeditionary Force was. Some very youthful-looking members of the Canterbury Territorials, and possibly Cadets as well, are seen marching into Christchurch around 1914.
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Bright blades flickering into straw-filled sacks
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As part of their full 16-week training course, recruits were given four weeks of training in drill, artillery and bayonet use at Featherston Military Training Camp, in the countryside north of Wellington. This film shows Lewis gun instruction, and fixed bayonet training with straw-filled dummies. A history of the Trentham Camp recorded how: “The bright blades flickered into the straw-filled sacks, out again and in again. At each point the men made hoarse guttural noises, like football war-cries, and when the enemy was presumed to be dealt with they charged on for a line of trenches. The instructor had overtaken them... But he scarcely could be heard for the yelling of his men, mingled with the war-cries of other squads.”
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A rickshaw ride in Durban
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Two Australian soldiers riding in a rickshaw pulled by a local man in Durban, South Africa, is taken from a B&W glass slide. Durban was an important port during WWI as troopships from Australia and New Zealand sailed around the Cape of Good Hope. From 1916 this was a safer route than the Suez Canal as there was a risk of a submarine attack in the Mediterranean. Soldiers disembarked in Durban and the troopships resupplied the journey took up to eight weeks to and from Australia.
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Soldier’s souvenir view of Egypt
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This image (B&W glass slide) was probably taken by an Australian soldier during a break from a route (training) march. Australian troops relax under the shade of trees in Egypt. Many images taken by soldiers serving overseas in the war show more famous tourist scenes such as men seated on camels, the pyramids, the Sphinx, or in a building or busy city street. Yet this shot still gives a feel of the tourist abroad, in the relaxed lounging poses struck by many of the subjects.
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Unloading barges, Anzac Cove
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This scene of soldiers unloading barges at what became known as Anzac Cove captures one moment in the landing and subsequent eight-month campaign at Gallipoli. The soldiers’ routine activity does little to indicate the heavy casualties incurred or the physical hardships endured. Turkish gunners had a good fix on Anzac Cove and many men were killed and badly wounded in the beach area or by the water.
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At Anzac Cove
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This hand-coloured glass slide shows British soldiers near a dugout at ANZAC Cove. The scene appears calm, with the men in small, groups close to sandbagged dugouts and tents. The barges remind us that supplies were always a concern, as they had to be shipped in. Despite the superficial calmness of a blue and grey tinted sea and sky, the Allied forces had to struggle with a rough terrain, establishing shelter and supply lines on rugged cliffs and narrow unprotected beaches.
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Washing the horses, Suvla Bay
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With the Gallipoli campaign at deadlock, a smaller Allied force, including Australians and New Zealanders, made an amphibious landing at Suvla Bay on the Aegean Sea to relieve pressure on the main force. Many horses accompanied the landing parties, providing vital transport for men and material. This photograph shows men washing their horses in advance of the Suvla attack, with mules, tents and other equipment in the background.
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'Soldier sentry of the foam'
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After taking part in major naval battles at Heliogland Bight, Dogger Bank and Jutland, the gifted battler cruiser HMS New Zealand returned to New Zealand after the war. This song was written in honour of her triumphant 1919 tour by Margaret Sinclair (lyrics) and Bert Rache (music).
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Household pets join the forces
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Ena Ryan of Wellington was a young girl when war was declared in August 1914, but she vividly recalled the excitement of those days. In this 1985 interview she describes watching the Main Body marching through the streets of Wellington to the departing ships. She noticed that one of the men had a kitten buttoned into his tunic. Once they arrived at the battlefront the men adopted other pets, including dogs, donkeys and goats found in and around battlefields. These animals helped to keep up the mens’ spirits, and some became official mascots.
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Farewelling troops in Wellington
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This rare film records a civic ceremony for New Zealand troops departing for the front. It shows the official farewell to the Wellington Section of the NZ Expeditionary Force on 24 September 1914. The troops are inspected by a group of dignitaries, including Prime Minister William Massey, Lord Liverpool the Governor-General and Major General Sir Alexander Godley. They then march four abreast down Adelaide Road and along Lambton Quay, Wellington’s main shopping street. The men of the NZEF are then seen crammed on board the deck and high up on the rigging of a troopship. Most have happy faces as they await what they expected would be a grand adventure. Contrast this with the more subdued figures of the 6th Reinforcement who appear at the end of the film. They are seen departing for the front in August 1915, when the horrors of the Gallipoli Campaign had become widely known.